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September 11, 2024

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For years, Asian Americans have been documented as caricatures through the “white gaze.” They’re often depicted as emasculating tech geeks who are socially awkward, and lacking in romantic appeal, and, if they happen to like someone, they’ll get rejected quicker than they can solve 1+1. Just take a look at Long Duk Dong from Sixteen Candles (1984).

Long Duk Dong from the 1984 film Sixteen Candles, widely criticized for perpetuating negative Asian stereotypes, as his portrayal relies heavily on exaggerated accents and mannerisms (Image Source: Universal Pictures).

That seeming lack of nuanced portrayals was increasingly a benchmark for every Asian male cast- side characters that add no value but purely humor for the story. However, the rise of Crazy Rich Asians may not be the perfect stereotype-breaker; it definitely made a change in bringing Asian males to the forefront of romance.

According to a new study from the University of Southern California’s Annenberg Inclusion Initiative, there has been a considerable increase in AAPI characters in films, rising from 3.4% to 15.9% between 2007 and 2022. You can see this specific buzz in global blockbusters like Parasite and Everything Everywhere All at Once, which, along with the boom of K-pop, Squid Game, anime, and Indian cinema, contribute to the bursting allure of Asian entertainment. 

Simu Liu stars as the title character in Shang-Chi and the Legend of the Ten Rings (Image Source: Jasin Boland/Marvel Studios).

This was one of the few times Hollywood truly let Asians showcase their talent. Their roles are more diverse, multidimensional, and resonant—sometimes even diaristic—as they gradually gain more control over their narratives. 

Joel Kim Booster’s 2022 film Fire Island, which he both wrote and starred in, was a self-affirming act of a gay Asian American man, grounded in personal experience and insecurities. Alongside Booster, actors like Randall Park, Kumail Nanjiani, and Simu Liu have taken on roles that challenge traditional stereotypes, playing superheroes and romantic leads that are not always ethnically centric. Sean Wang’s 2024 critically-acclaimed movie Dìdi also looks into the complex growing-up experience of an Asian American man, carving out new territories in the monotonous Asian-led narratives.

Fire Island (2022) is a rom-com directed by Andrew Ahn, starring Joel Kim Booster, Bowen Yang, and Margaret Cho. It follows a group of gay friends on vacation, exploring romance and class struggles (Image Source: Searchlight Pictures).

Yet in spite, representation remains uneven, with many characters still marginalized. The road to diverse and well-portrayed depictions of Asian American men continues, hopefully with more individuals and organizations to create and support the community. 

With the rise of streaming platforms like Netflix, more eyes are on the global moviescape, particularly from Asian audiences, the fastest-growing population in the world. While well-rounded representation still has a long way to go, the current strides for AAPI talents are promising and appealing.

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Image Source Artbound

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ARTBOUND Features Giant Robot’s Asian-American Pop Culture Influence In Its Latest Episode

Highlighting the impact of the Asian-American pop culture publication Giant Robot, the debut of the latest episode entitled “Giant Robot: Asian Pop Culture and Beyond” was finally aired last October 26 in the acclaimed arts and culture series ARTBOUND on KCET.

The episode showed Giant Robot’s examination of Sawtelle Boulevard as a Japanese-American neighborhood, sparking interest in Asian and Asian-American popular culture which resulted to a long line of Asian American artists who won recognition on a global scale. 

Established in 1994, Giant Robot was a bimonthly journal that focused on Asian popular culture that soon included works by Asian-American artists including David Choe and James Jean.

Eric Nakamura began publishing Giant Robot as a digest-sized zine. The piece covered a variety of subjects, including trendy Asian American independent filmmakers, Japanese punk rock, and contemporary Hong Kong films. National media sources including the New York Times, Wired, and LA Weekly published the story.

In 2001, Nakamura opened his first store named “Giant Robot Store” in Sawtelle Japantown and expanded in 2003.

Giant Robot co-founder, Martin Wong edited all 68 issues of the glossy magazine on Asian, Asian-American, and new hybrid culture from 1994 to 2010, when it was still a punk zine. His wife Wendy Lau served as Giant Robot’s graphic designer beginning with issue 18. Even today, Martin continues to publish zines and contribute to them.

The popular weekly television program and online site ARTBOUND captures the essence of California’s expanding arts and cultural scene and investigates how it is transforming the state into the world’s creative capital. 

The KCET Original series investigates and clarifies contemporary cultural challenges, offering insightful in-depth study of how the arts and culture impact society.

Image Source: Julie’s Bakeshop

Uncategorized

Dreams Set No Limits To 50-Year-Old Who Started A Bakeshop Now The Philippines’ Most Famous Brand

“In a way, I was poor. I was hungry, maybe not for food but for self-achievement. I thought there must be something more I can do than just being a housewife. I was very determined to succeed, in whatever came my way,” thus said Julie Gandionco as quoted by the Inquirer, the Philippines’ local newspaper.

In January 1981, then-50-year-old Julia Gandionco opened Julie’s Bakeshop to satisfy her thirst for proving that she is more than a housewife.

Julie’s Bakeshop gloriously celebrates being one of the Philippines’ largest bakery chains with more than 500 branches all over the country, which can be traced back to Mandaue City on the Island of Cebu as its place of origin.

In the 1970s, Julie was a canteen concessionaire at a rattan company, and subsequently became a manager of its sister company. She also opened another canteen a year later.

Having these three canteens being managed, she felt the rising demand for bread which made her take the chance of opening a bakeshop, despite having zero knowledge of baking.

Julie stressed that her bakeshop exists because of “a growing need for bread products and a strong trust in God,” and that she desires to encourage and uplift other mothers to dream big and strive for their goals.

Image Source: South China Morning Post

News

Veteran Actor James Hong Lauds Asian-American Representation In Entertainment Industry

During the Critics Choice Association (CCA)’s Inaugural Celebration of Asian Pacific Cinema & Television, veteran actor James Hong received the prestigious Icon award along with a few other awardees.

The veteran actor reflects on his over 700 roles and how Asian representation has changed: “When I was a kid, ‘The Good Earth’ was played by Caucasian leads that taped their eyes up.”

In his speech, Hong commended Asian-American creatives for “carrying through” work to advance their careers in the entertainment world and emphasized that his ultimate goal was to stop hatred and boost the whole level of Asian-Americans.

“To see an organization collect all these people together and work together and stop this hatred for Asians is our main goal, I think, and just boost the whole level of Asian-Americans,” Hong mentioned to the PA News Agency.

Held at Fairmont Century Plaza, CCA’s celebrity-filled event highlighted both new and experienced talents and featured other notable figures from the Asian film industry.

At the age of 93, the veteran vigorously demonstrated a few martial arts movements for the photographers with a smile on his face during the occasion.

In his more than six decades-old career, Hong is a well-accomplished actor with hundreds of film and television credits who co-founded the East West Players in 1965, making him more than deserving to receive the Icon award.

The actor stated that CCA is perhaps one of the pioneering organizations that promote culture.

Image Source: Fiona Chan

Stories

TikTok Viral Beauty Brand Youthforia Inspired From Asian Roots And Self-Awareness

We spend most of our waking hours trying to care for ourselves, but there’s only so much time in the day. That’s what the makeup brand Youthforia is for — a line of high-quality beauty products that fit seamlessly into your routine. 

Founder Fiona Co Chan accomplished this goal for Youthforia, making it the first East Asian makeup brand to be sold at Ulta Beauty. 

While quarantined in Hong Kong, Fiona realized she should launch a cosmetics line. She also recalled a lesson her Vietnamese refugee mother had taught her early on about the importance of paying attention to what goes into one’s body. Although she didn’t have the best track record with makeup, she was able to consider her interest. 

Before 2020, she worked in technology and visited several highly polluted Asian cities. She realized that her Western cosmetics reacted poorly to heavy pollution, resulting in skin damage. 

This led Chan to work on a gentle formulation and test it out for two months before releasing it to the public on TikTok in 2021. She used the video hosting giant to see if people would be interested in trying out her new makeup creations, such as a liquid blush that adjusts to the skin’s pH. The BYO Blush was a huge success, and Chan’s Youthforia’s TikTok accumulated 40 or 50 million views in its first year.

While the launch of Youthforia on TikTok is undoubtedly cutting-edge, the brand’s core values are founded in the past. This comes directly from Chan’s identity and her upbringing in an Asian San Francisco household where her mother stressed the importance of viewing the body as a whole.