Stories

September 2, 2023

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Meet Jennifer Guo and Adam Szakacs, a couple with a creative vision. They wanted their child to cherish both her Chinese and Jewish roots, despite living far from family. So, they invented something extraordinary.

Inspired by their grandmothers’ unexpected friendship over mahjong, they reimagined the game as “Not Your Ma’s Jong.” This isn’t just any game; it’s a lively card version of mahjong that celebrates their backgrounds. It carries a powerful message – embracing your heritage and sharing it with others is something to be proud of.

Through Not Your Ma’s Jong, Jennifer and Adam hope to bring people closer. By sharing traditions, they aim to show that understanding each other’s cultures can create harmony.

In an exclusive interview with Asian Hustle Network, Jennifer and Adam share their journey in creating “Not Your Ma’s Jong.” Read through as we get a glimpse of how this game could help forge connections and celebrate diverse cultures.

Whether celebrating certain holidays, traveling together to meaningful places, or simply making a memorable recipe together, spending quality time together is the most important thing – and playing a game like Not Your Ma’s Jong is one way to spend time together.

Jennifer Guo

Can you tell us about the inspiration behind creating Not Your Ma’s Jong and how it connects to your Chinese and Jewish heritage?

Jenn: I learned how to play mahjong as a kid by watching my grandma play in China. Mahjong was a part of our daily lives and at the center of every family occasion. For me, mahjong is a way to connect with those memories.

My grandma used to split her time between her home in Xi’an, China, and Toronto where she stayed with my parents. In 2014, we brought my grandma to visit Adam’s granny who was healing from a hip injury. My grandma speaks only Mandarin, so we started by translating some simple hellos and small talk. It was so special to have them meet and communicate with each other.

Adam: At one point, we were talking about their respective cultures and the things they enjoy. My granny plays a lot of card games and also mentioned mahjong. Jenn’s grandma’s eyes lit up, and she told us about playing throughout her life. Jenn’s grandma is certainly the more avid player, but once my granny’s hip recovered and she was back home, they were able to play together.

Jenn: When I was pregnant with our first daughter in 2018, we started thinking about how we could connect our children with their cultures and heritage. I realized that living in Canada, they would not have the same exposure to Chinese traditions like mahjong as I did growing up. We started thinking about ways to honor the memories we had of growing up with our parents and grandparents and decided to create a simplified version of mahjong, which became Not Your Ma’s Jong.

Jenn and Adam with their grandmas

As an international card game played around the world, what do you believe makes Not Your Ma’s Jong unique and appealing to a diverse audience?

Adam: We realized that even though our grandparents played mahjong and we played with them, we never played with our friends. We started asking around and kept hearing the same thing–most of our friends had heard of mahjong or seen their families play, but few knew how to play themselves.

Jenn: Not Your Ma’s Jong is a simplified version of mahjong, using 75 cards as opposed to 144 tiles in the traditional game. The rules are also simplified to create a fast-paced and fierce game that anyone can pick up quickly. When we started playing test versions with our friends, the excitement showed us we were on to something!

Could you share some examples of how you incorporated Chinese and Jewish emblems into Not Your Ma’s Jong? How do these cultural elements enhance the gameplay experience and foster cultural understanding?

Jenn: We wanted to dedicate the game to our grandmas. Many of the cards are symbols from growing up with them – some with Adam’s Jewish granny, and some with my Chinese grandma. Some center around memories of family feasts we’d eat together, gifts they’d give us, or how they made us feel – and while the symbols are specific to our cultures, those memories and feelings are universal.

Other cards are a bit whimsical – we imagined what their friendship could have been if they had lived near each other earlier in their lives. Things like doing tai chi together in a park, or building a muscular snowman together! We wanted to make them relatable for people who grew up in any culture, with special winks for people who grew up Chinese or Jewish.

What are some of the challenges you faced while developing and popularizing Not Your Ma’s Jong? How did you overcome those challenges, and what lessons did you learn along the way?

We had a lot of fun creating Not Your Ma’s Jong – but turning it into a product and making people aware of it was hard! After the initial Kickstarter campaign, the remaining games sat in our home for over a year until we started to get some media attention. We were fortunate that a blog article turned into a newspaper feature which then got our story and the game featured on TV twice! Hasbro took an interest at that point, licensed the game and it’s now being sold around the world. This showed us that people love it once they hear about it! That initial exposure was the hard part.

Can you share any heartwarming stories or feedback you have received from players of Not Your Ma’s Jong?

Adam: The initial Kickstarter campaign was a very personal experience for us. We received stories and repeat orders from some of the earliest recipients of the game, sharing how they played with their parents, children, or nieces and nephews, and how it caused them to reminisce about their own family stories when they saw the illustrations on the cards. We still love getting emails and seeing reviews from people who feel a connection to the game.

What advice would you give to individuals or families who are seeking to explore and celebrate their own cultural heritage? How can games like Not Your Ma’s Jong play a role in this process?

Jenn: It was important to us to not let our families’ cultures and memories fade away for our daughters, and creating this game was one of our ideas to do that. I know it’s hard – especially with young kids – but I think it’s important for parents to think back on their childhoods and choose some of the traditions that they want to continue with their children. Whether celebrating certain holidays, traveling together to meaningful places, or simply making a memorable recipe together, spending quality time together is the most important thing – and playing a game like Not Your Ma’s Jong is one way to spend time together.

In conclusion, what message or lasting impact do you hope Not Your Ma’s Jong will leave on players and society as a whole?

Jenn: The world can sometimes feel so divided – we hope people see this game, and the story behind it, as a small example of how people with different cultural backgrounds and languages can find common ground and develop a friendship. We hope they get a glimpse into Chinese and Jewish cultural experiences and relate with their own experiences too!

CONNECT WITH NOT YOUR MA’S JONG

Instagram: @notyourmasjong

Threads: @notyourmasjong

Website: notyourmasjong.com

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Billionaire Heir Enters Wall Street’s Hottest Trade With $480B in Assets

Andre Koo Jr. isn’t just inheriting a financial empire, he’s also reshaping what it looks like in a new era of investing. 

From Taiwan to New York, his latest move brings a centuries-old legacy into one of Wall Street’s fastest-growing spaces. 

With K8 Capital, he’s betting that the future of wealth lies in doing more than just one thing well.

Image Source: NYU Stern

Building on a Financial Legacy

Andre Koo Jr. grew up in one of Taiwan’s most influential banking families, where scale and stability defined success. Today, that legacy spans a $16 billion family fortune and control of $480 billion in assets. But instead of staying within that system, he’s building something that looks very different.

K8 Capital, his new firm based in New York, is designed to be more flexible and forward-looking. It’s launching with a debut fund of at least $50 million, with a $500,000 minimum that signals who it’s built for. The focus is on US companies, along with early bets on AI and enterprise software, areas where growth is still taking shape.

Image Source: Sally Ride Science

A Dual Investment Approach

K8 is a fully integrated hybrid private credit and venture capital firm, combining short-duration, high-yield credit investments with long-term venture growth. Its dual strategy is designed to deliver both liquidity and capital appreciation, giving investors access to predictable income while still capturing venture upside.

What sets K8 apart is how it brings two distinct investment styles into one platform. It focuses on short-term credit deals that can generate returns relatively quickly, while also investing in startups that may take years to mature but offer strong long-term potential. This allows investors to earn steady income today while staying exposed to the companies shaping the future.

Image Source: @andrejrkoo (Instagram)

Entering a Rapidly Growing Market

Private credit has quietly grown into a market worth more than $1.5 trillion, as companies look beyond traditional banks for funding. Wealthy families like the Koos are moving in, seeing an opportunity to lend directly and capture higher returns.

K8 is already showing early signs of traction, with reported returns of at least 50 percent from short-term loans to US businesses. But for Andre, this isn’t just about performance. It’s also about carrying forward a legacy that began nearly 200 years ago with his ancestor Koh Lay Huan, while making sure it still matters in a very different financial world.

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8-Year-Old Lucas Ye Designed a Mascot That Travels to Space With NASA’s Artemis II Crew

An eight-year-old in California turned a simple drawing into something that will travel beyond Earth.

Lucas Ye entered a global NASA contest and watched his idea rise above thousands of entries from around the world.

Now, his creation is not just a sketch, but a real mascot preparing to float alongside astronauts in space.

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From Sketchbook to Spacecraft

Lucas Ye was just eight years old when he decided to draw a mascot for the Artemis II mission, not knowing it would become something much bigger. His design stood out in a global competition, eventually winning and being transformed into a plush named Rise. What started as a simple idea on paper quickly earned a place inside a real spacecraft.

The journey from drawing to physical mascot shows how ideas can move fast when they resonate. NASA took Lucas’s concept and turned it into something tangible, something that could sit beside astronauts on a real mission. It is a reminder that creativity does not need years of experience to matter, it just needs a starting point.

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A Small Toy With a Big Role

Rise is not just there for the ride, it plays a meaningful role inside the cabin. As the spacecraft reaches orbit, the plush will begin to float, signaling that the crew has entered zero gravity. It is a simple but powerful way to show a major moment in the mission.

NASA has a long tradition of using mascots like this, but this one carries a different kind of weight. It represents a child’s imagination becoming part of a real scientific journey, blending emotion with exploration. Lucas now joins a legacy of space mascots, showing that even the smallest ideas can make it all the way to space.

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Stories

The Mission of Award-Winning Author Simone Heng and How Let’s Talk About Loneliness Expands Its Message Through Its Chinese Launch

Loneliness is often seen as a personal feeling, but for Simone Heng, it became a question worth exploring on a global scale.

Now, with the upcoming Chinese translation of her 2023 book, Let’s Talk About Loneliness, her message is reaching a new audience and entering a new chapter.

What began as a deeply personal experience has grown into a wider mission to make conversations about loneliness more accessible across cultures.

From Personal Isolation to a Written Voice

Simone Heng’s book Let’s Talk About Loneliness was born from a period of deep emotional isolation. After leaving her broadcasting career to care for her paralyzed mother, she found herself cut off from her social world. While others were building families and careers, she was navigating caregiving, grief, and isolation.

Before that chapter, her life had always been shaped by movement. She was born and is based in Singapore, grew up in Australia, studied in Switzerland, and worked in the UAE. Her background reflects a mix of cultures, even reflected in her DNA, which shows 11 different ethnicities.

But the defining moments were not just about where she had been, but what she had gone through. She lost her father at 19, and 10 years later, along with her sister, became the main support to her mother. Those experiences reshaped her priorities and slowly pulled her away from the life she was chasing.

In that quieter, more difficult season, she began asking questions she could not ignore. Why does loneliness feel so heavy, even when you are not physically alone? Why is it so hard to talk about?

Over time, Simone realized something that became central to her work. Loneliness is not simply about being alone. It is the gap between the kind and amount of connection a person wants and what they are actually experiencing.

A Book That Challenges Cultural Assumptions

Let’s Talk About Loneliness explores an idea many people overlook. Loneliness can exist even in collectivist societies. Simone highlights how cultural expectations, emotional restraint, and unspoken pressures can make it harder to express isolation. This perspective brought a diverse lens to the dialogue on loneliness often dominated by Western viewpoints.

She points out that in cultures where people are expected to always be surrounded by family, saying “I am lonely” can carry stigma. At the same time, many connections are shaped by obligation rather than genuine emotional closeness. These kinds of relationships do not always meet deeper emotional needs, and can leave people feeling alone even when they are not physically isolated.

Retitled in Chinese as “Anyway, I Am Just as Lonely,” it will be available in Xinhua, Sisyphus, and Yanijou bookstores in China. The book blends research with lived experience, making it both informative and deeply personal. With the release of the Chinese edition, the focus is on reaching Chinese-speaking communities where conversations around loneliness are often less visible.

Building a Mission Around Human Connection

Beyond the book, Simone Heng’s work continues to focus on one idea. Human connection is not just something we hope for, but something we absolutely must learn and build, particularly in the era of AI.

After spending 15 years in broadcasting, she chose to step away and start again in 2019. It was not an easy decision, and she built her career without financial backing, relying on persistence and clarity in what she wanted to create.

Today, she is a global speaker who works with leading organizations such as Google, Meta, Harvard University, and JPMorgan. She teaches audiences how to build meaningful connections both in and beyond the workplace.

Her message continues to resonate because it speaks to something many people are quietly experiencing. Without a sense of belonging and psychological safety, it becomes harder to think clearly, create, and show up fully.

At its core, her work is a reminder that connection is not about how many people are around us. It is about how understood we feel. And sometimes, putting that feeling into words is the first step toward changing it.

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How Brett Bolton and Kayden Beasley Turned Adversity Into Triumph at the 2026 Paralympics

Two athletes, shaped by similar beginnings, turned personal challenges into a defining moment on the world stage.

Both were born in China and later adopted into the United States, where they grew up navigating identity, resilience, and belonging.

At the 2026 Winter Paralympic Games, their journeys came full circle as they helped lead Team USA to gold.

Image Source: Team USA Hockey

Brett Bolton’s Journey to the Top

Born in China with a congenital limb difference, Brett Bolton was adopted into the United States at just three years old, growing up in an environment that pushed him to adapt early and often. What could have been limitations became the foundation for resilience, shaping how he approached both life and sport.

That same quiet determination followed him onto the ice, where he carved out a place as a rookie forward for the U.S. sled hockey team. At the 2026 Winter Paralympic Games, Bolton didn’t just participate, he rose to the top, helping secure a gold medal and marking a powerful arrival on the global stage.

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Kayden Beasley’s Defining Moment

Like Bolton, Kayden Beasley’s story began in China before being adopted into the United States, where he grew up navigating questions of identity alongside his development as an athlete. Over time, discipline on the ice became his anchor, helping him build both physical strength and self-belief.

Years of training led to a defining moment at the 2026 Winter Paralympics, when Beasley delivered a clutch goal in the final. That single play helped seal a gold medal for Team USA, turning years of preparation into a moment that will be remembered on one of sport’s biggest stages.

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More Than a Medal: A Shared Story of Representation

At the 2026 Paralympic Games, their journeys intersected in a space that celebrates ability in all its forms. Beyond the competition, their presence highlights a broader shift in how athletes with impairments are seen, valued, and represented.

Their victories go beyond the scoreboard, carrying meaning for communities that rarely see themselves reflected at the highest levels of sport. Together, their stories stand as a reminder that representation is not just about visibility, but about redefining what strength and success look like.