Stories

July 5, 2023

SHARE:

In the bustling world of Hollywood, where dreams are forged and narratives come to life, Korean American screenwriter William Yu has emerged as a rising force.

Hailing from Philadelphia, Hong Kong, Boston, and New York, and now based in Los Angeles, William has taken the leap from having a successful advertising career into the world of screenwriting, fueled by a desire to create ambitious stories with vibrant and nuanced characters and to challenge the boundaries of Asian American representation.

William writes sharp, biting stories about witty underdogs who rise to upend the systems that they’ve been held back by.

Projects like “Good Boy,” a dramedy exploring the clash between personal dreams and familial expectations, and his feature romantic comedy “It Was You,” recognized by the esteemed Black List, showcase William’s talent and ambition. As an alum of the prestigious Sundance Episodic Labs and the NBCU Launch TV Writers Program, his work not only contributes to the larger conversation on Asian American representation in the entertainment industry but also pushes the boundaries of storytelling.

In an interview with Asian Hustle Network, William gives us a front seat on his journey as a screenwriter. Join us as we delve into his inspiring story.

TRANSITIONING FROM HIS ADVERTISING CAREER TO BECOMING A SCREENWRITER

Before becoming a screenwriter, I worked in advertising as a Creative Strategist for some years. Having this professional background not only gave me the structure and discipline that I’ve carried over to writing but also instilled a self-starter mindset that gets excited by creative ideas that go against the grain.

Two things happened. The first: I hit a quarter-life crisis after finding a list of goals I had written down after I graduated college. I realized that I had accomplished most of these milestones, but was finding my mental health was quickly deteriorating to the point where I had to make a change.

The second: I had recently created a project called #StarringJohnCho that sparked a viral, global conversation about Asian representation in media. Seeing so many communities engage in this movement demonstrated to me that a profound cultural shift was happening. I could either sit on the sidelines in advertising and continue to critique Hollywood from the outside, or I could dive into this world, participate in the craft, and write the stories I wish I knew. So, I took the leap.

CHALLENGES OF BEING A SCREENWRITER FROM AN UNDERREPRESENTED BACKGROUND

I entered Hollywood because I wanted to expand the definition and labels that have traditionally been assigned to the Asian American community, to go from “good” and “bad” to “awkward” and “messy” and “joyful” and “gut-wrenching.” But as much as I want to create characters and narratives that are rooted in my experience, I need to write stories that are first and foremost–entertaining.

As a screenwriter from an underrepresented group, there is always a well-intentioned instinct to cast our people in a soft, non-offensive glow. But who wants to watch that film or TV series? Part of the representation that I want to add to is demonstrating that as much as we are brave and tenacious, we are also flawed and dangerous, whether that’s in a small indie project or a massive studio tentpole. I believe that the faster we can jump into that conversation, exciting stories are destined to follow.

ABOUT THE DRAMEDY “GOOD BOY”

The short film is a proof of concept for a TV series I’m developing that’s been workshopped through the Sundance Episodic Labs. It’s a personal story that’s loosely based on my time working at Bodega – the world-famous sneaker shop started in Boston – and various conversations and feelings that I’ve had with exes, best friends, my family, and other people that I love.

Streetwear is a world where the clash of cultures is the point. There is no “right answer” – It’s funny and ugly and inspiring. Isn’t that the case for life as well?

‘Good Boy’ was my way of reflecting on moments in my life when I’ve felt cared for, hurt, joyous, and lost. I tried to not just depict what I was feeling, but also reflect on why I felt those feelings. When I first started writing the original pilot script in the Fall of 2019, I was simultaneously embracing my own agency in my life. My hope is that this story might nudge others to also own their journeys moving forward.

MORE OF WILLIAM’S PROJECTS

I’m extremely proud of ‘It Was You,’ my feature romantic comedy that’s like if Nora Ephron’s ‘You’ve Got Mail’ was set in Manhattan Chinatown. The script was voted to the annual Black List – a compilation of the most well-liked unproduced scripts in Hollywood – and ‘Crazy Rich Asians’ director Jon M. Chu is attached as a producer. I’m such a massive fan of those ‘90s-era rom-coms and this story was such a light to write during the pandemic. 

My latest TV project is a political scandal drama called ‘Koreagate’ which is based on the true story set in the 1970s of a charming swindler in Washington D.C. known as “The Asian Gatsby” who was found to be bribing U.S. Congressmen in the name of South Korean interests. It’s a wild, pulpy, fast-paced tale in the vein of The Wolf Of Wall Street and The Post that showcases America at its best and its worst. And it all really happened!

WILLIAM’S CONTRIBUTION TO ASIAN AMERICAN REPRESENTATION IN THE ENTERTAINMENT INDUSTRY

My main goal as a storyteller is to create ambitious stories with vibrant and nuanced characters. If I can hold up my end of the equation, I believe the representation conversation will only expand and grow in complexity.

What’s so exciting is that this is a LARGE conversation, there are so many voices and stories from our community that have yet to come to the forefront. And when we all overlap and intersect and discuss, that’s when the magic happens.

WILLIAM’S ASPIRATIONS LOOKING FORWARD AS A SCREENWRITER

First off, my biggest hope right now is that the WGA strike ends soon and that the studios pay us writers what we deserve.

What excites me is continuing to push my ideas to new heights in terms of scale and wonder. Stories that push the boundaries of the imagination. That wink at you while flipping you off. I’ve been working on a family adventure blockbuster and romance crime drama lately, and have a romantic comedy feature script that takes a surprise turn into a thriller in the works next. Right now, I feel drawn to stories that feel twisted and that showcase characters brushing up against the extremities of who they are.

ADVICE TO THOSE WHO WANT TO START A CAREER IN THE ENTERTAINMENT INDUSTRY

I can only really speak for the screenwriting side of things. This industry may seem like it’s an image-driven business, but it’s actually a product-driven one.

Everyone has an idea for a story, so make sure you’re the one that has a script (or scripts!) ready to go when someone asks. Know that there are lots of stories of those who follow the “rules” or those who are “exceptions”, but know that there is no “right way” of making it in this industry. Lastly: Be kind.

CONNECT WITH WILLIAM

Instagram: @its_willyu

Twitter: @its_willyu

Website: itswillyu.com

Stream Good Boy

Good Boy Instagram: @goodboyteevee

Good Boy Twitter: @goodboyteevee

Good Boy Website: goodboytv.com

Related Articles

the toronto star-jpg

News

Olivia Chow Makes History as First Chinese-Canadian Mayor in Toronto

Olivia Chow has emerged as Toronto’s first Chinese-Canadian mayor, ending over a decade of conservative rule and ushering in a new progressive era for the city.

Olivia was 13 years old when she first arrived in the country as an immigrant. Now, at 66, she has achieved a remarkable feat, surpassing 102 candidates to become Toronto’s first Chinese-Canadian mayor.  During her campaign, she focused on addressing the housing affordability crisis and pledged to raise the city’s low property taxes while providing support for tenants.

Upon taking office, Olivia faces opposition from Ontario’s premier, Doug Ford, who had warned that her victory would be an “unmitigated disaster.” Ford’s brother, Rob Ford, previously served as mayor of Toronto but faced controversy due to a video showing him smoking crack cocaine and a cancer diagnosis.

Throughout her career, Olivia has served as a member of parliament for the New Democratic Party, a Toronto city councilor, and a school board trustee. She also campaigned alongside her late husband, Jack Layton, who ran for mayor in 1991 and later became the leader of the opposition in Canada.

Olivia assumes the role of mayor at a challenging time for Toronto. The city, with a population of 2.7 million and a metropolitan area of nearly 7 million, is grappling with surging rents and a budget deficit of approximately $1.5 billion. Public safety concerns have also grown, particularly following a series of violent attacks on individuals using the public transit system.

According to The Guardian, Olivia is expected to be a champion for transit, as well as for walking and cycling – she does not have a driving license – and has promised to turn the tide on years of low-tax austerity politics enacted by her conservative predecessors.

Featured Image Source: The Toronto Star

vogue sg-jpg

News

Daniel Wu Shines Spotlight on Asian Cultural Icons in ‘American Born Chinese’

Daniel Wu, known for his roles in “Into the Badlands” and “Westworld,” is thrilled to bring Gene Luen Yang’s celebrated graphic novel, “American Born Chinese,” to a wider audience through its screen adaptation.

In a Zoom interview with UPI, Wu expressed his excitement about introducing the action-comedy story to a broader mainstream audience. The series, which is now streaming on Disney+, follows the journey of Jin Wang (played by Ben Wang), a teenager navigating the challenges of fitting in at his high school against the wishes of his traditional parents (portrayed by Yeo Yann Yann and Chin Han).

“The screen adaptation that was done by Kelvin Yu is amazing in integrating these three disparate story lines,” Wu said to UPI.

When Jin meets Wei-Chen (Jimmy Liu), a Chinese immigrant and the secret son of the legendary Monkey King (portrayed by Wu), their intertwined destinies set the stage for a captivating narrative.

Wu emphasized the significance of showcasing the iconic Monkey King character to a different audience, highlighting the character’s deep-rooted connection to Asian culture. By doing so, he hopes to reveal the Asian “superheroes” and idols from his own childhood to viewers who may not be familiar with these cultural icons. 

According to UPI, Wu found a personal connection to the Monkey King character as a father himself. Reflecting on his experiences during the COVID-19 pandemic and the challenges of distance learning, he humorously described himself as a “Tiger Dad.”

“I realized that I am part Tiger Dad and that I am strict on my kid and then I need to let go,” he said to UPI. “This character is dealing with that same situation.”

Wu is working alongside Michelle Yeoh who portrays Guanyin the Goddess of Mercy. Despite knowing each other for two decades, this project marked their first collaboration, making it even more special.

With its visually spectacular action sequences and heartfelt storytelling, the series offers a distinctive viewing experience that can be cherished by families across generations.

Featured Image Source: Vogue SG

tatler asia-jpeg

News

A Korean Immigrant’s Journey to Becoming a Beauty Industry Icon

Toni Ko is a first-generation Korean immigrant who has made an indelible mark in the business world as the founder of NYX Cosmetics and a champion of women-run brands.

Toni is the visionary behind NYX Cosmetics and a fierce advocate for women-run brands. With her relentless work ethic and unparalleled business acumen, she has carved a path to success that has earned her a well-deserved place among Forbes magazine’s Richest Self-Made Women.

Despite facing numerous challenges after moving to California in 1986, the language barriers and unfamiliar surroundings, she thrived on the difficulties and developed a resilient character. She drew from her family’s background in the cosmetics industry to launch NYX Cosmetics in 1999 with $250,000 in seed money from her parents. Her vision was to provide high-quality cosmetics at affordable prices, bridging the gap between luxury and affordability.

Toni used social media to propel NYX Cosmetics to remarkable success. The brand gained traction through partnerships with influential beauty creators on platforms like YouTube, capturing a younger audience and solidifying its place in the market. In 2014, L’Oréal acquired NYX Cosmetics for an estimated $500 million.

Driven by her passion for empowering women, Toni established the Toni Ko Foundation in 2014. Through this foundation, she supports organizations dedicated to uplifting underprivileged children and championing women’s empowerment. In addition, she actively invests in women-owned businesses through her venture capital firm, Butter Ventures, fostering the growth and success of fellow female entrepreneurs.

Toni has been lauded with prestigious accolades, including the WWD Beauty Inc. Brand of the Year award for NYX Cosmetics and her inclusion on Forbes’ esteemed list of Richest Self-Made Women. More than a businesswoman, Toni is a beacon of inspiration, paving the way for a future where women’s voices are amplified and their dreams are within reach.

Featured Image Source: Tatler Asia

The Fresno Bee-jpeg

News

Hmong Baker “The Brioche Lady” Opens Her Own Asian Grocery Store in Fresno

Renowned for her fluffy French bread, The Brioche Lady has returned, assuming a new role as the proprietor of an Asian grocery store.

While many people are familiar with Nubchi Thao for her delectable French brioche bread sold at farmers markets and her previous bakery, The Brioche Lady Bakery, she has now taken on the role of an Asian grocery store owner. Thao is of Hmong descent and was raised in France, where she acquired her expertise in baking French bread.

Located in Tarpey Village at the intersection of Ashlan and Clovis avenues, the newly opened store named TBL Asian Market is situated between the Arco station and the Sno-White Drive-In, replacing the former Golden Phoenix Asian Market, which was owned by Thao’s relatives.

According to Fresnobee, customers can now immerse themselves in a culinary journey spanning Filipino, Vietnamese, and various other cuisines. The store’s fresh vegetable section showcases an assortment of items, including fresh Thai peppers, okra, lychee, and rambutan—a peculiar fruit adorned with distinctive red whiskers.

The market boasts an extensive selection of noodles and rice, catering to diverse tastes. Moreover, the snack aisle entices shoppers with an array of treats sourced from several countries. From cookies originating from various regions to chocolate-dipped Pocky sticks, Japanese mochi desserts, and even wasabi peas, the store caters to a wide range of palates. Adding a touch of warmth and familiarity, one is likely to encounter the Thao family’s children among the store’s employees. 

In addition to on-site baking, Thao is exploring alternative avenues for customers to enjoy her beloved bread. She intends to introduce a brioche mix, empowering customers to bake their own loaf at home by simply adding eggs, water, and butter.

Furthermore, she is developing a larger version of the mix tailored for bakeries and restaurants. Additionally, Thao seeks to establish partnerships that would allow others to bake her recipe and serve the thriving Hmong community, which holds a strong affinity for her bread.

Featured Image Source: The Fresno Bee