Stories

July 5, 2023

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In the bustling world of Hollywood, where dreams are forged and narratives come to life, Korean American screenwriter William Yu has emerged as a rising force.

Hailing from Philadelphia, Hong Kong, Boston, and New York, and now based in Los Angeles, William has taken the leap from having a successful advertising career into the world of screenwriting, fueled by a desire to create ambitious stories with vibrant and nuanced characters and to challenge the boundaries of Asian American representation.

William writes sharp, biting stories about witty underdogs who rise to upend the systems that they’ve been held back by.

Projects like “Good Boy,” a dramedy exploring the clash between personal dreams and familial expectations, and his feature romantic comedy “It Was You,” recognized by the esteemed Black List, showcase William’s talent and ambition. As an alum of the prestigious Sundance Episodic Labs and the NBCU Launch TV Writers Program, his work not only contributes to the larger conversation on Asian American representation in the entertainment industry but also pushes the boundaries of storytelling.

In an interview with Asian Hustle Network, William gives us a front seat on his journey as a screenwriter. Join us as we delve into his inspiring story.

TRANSITIONING FROM HIS ADVERTISING CAREER TO BECOMING A SCREENWRITER

Before becoming a screenwriter, I worked in advertising as a Creative Strategist for some years. Having this professional background not only gave me the structure and discipline that I’ve carried over to writing but also instilled a self-starter mindset that gets excited by creative ideas that go against the grain.

Two things happened. The first: I hit a quarter-life crisis after finding a list of goals I had written down after I graduated college. I realized that I had accomplished most of these milestones, but was finding my mental health was quickly deteriorating to the point where I had to make a change.

The second: I had recently created a project called #StarringJohnCho that sparked a viral, global conversation about Asian representation in media. Seeing so many communities engage in this movement demonstrated to me that a profound cultural shift was happening. I could either sit on the sidelines in advertising and continue to critique Hollywood from the outside, or I could dive into this world, participate in the craft, and write the stories I wish I knew. So, I took the leap.

CHALLENGES OF BEING A SCREENWRITER FROM AN UNDERREPRESENTED BACKGROUND

I entered Hollywood because I wanted to expand the definition and labels that have traditionally been assigned to the Asian American community, to go from “good” and “bad” to “awkward” and “messy” and “joyful” and “gut-wrenching.” But as much as I want to create characters and narratives that are rooted in my experience, I need to write stories that are first and foremost–entertaining.

As a screenwriter from an underrepresented group, there is always a well-intentioned instinct to cast our people in a soft, non-offensive glow. But who wants to watch that film or TV series? Part of the representation that I want to add to is demonstrating that as much as we are brave and tenacious, we are also flawed and dangerous, whether that’s in a small indie project or a massive studio tentpole. I believe that the faster we can jump into that conversation, exciting stories are destined to follow.

ABOUT THE DRAMEDY “GOOD BOY”

The short film is a proof of concept for a TV series I’m developing that’s been workshopped through the Sundance Episodic Labs. It’s a personal story that’s loosely based on my time working at Bodega – the world-famous sneaker shop started in Boston – and various conversations and feelings that I’ve had with exes, best friends, my family, and other people that I love.

Streetwear is a world where the clash of cultures is the point. There is no “right answer” – It’s funny and ugly and inspiring. Isn’t that the case for life as well?

‘Good Boy’ was my way of reflecting on moments in my life when I’ve felt cared for, hurt, joyous, and lost. I tried to not just depict what I was feeling, but also reflect on why I felt those feelings. When I first started writing the original pilot script in the Fall of 2019, I was simultaneously embracing my own agency in my life. My hope is that this story might nudge others to also own their journeys moving forward.

MORE OF WILLIAM’S PROJECTS

I’m extremely proud of ‘It Was You,’ my feature romantic comedy that’s like if Nora Ephron’s ‘You’ve Got Mail’ was set in Manhattan Chinatown. The script was voted to the annual Black List – a compilation of the most well-liked unproduced scripts in Hollywood – and ‘Crazy Rich Asians’ director Jon M. Chu is attached as a producer. I’m such a massive fan of those ‘90s-era rom-coms and this story was such a light to write during the pandemic. 

My latest TV project is a political scandal drama called ‘Koreagate’ which is based on the true story set in the 1970s of a charming swindler in Washington D.C. known as “The Asian Gatsby” who was found to be bribing U.S. Congressmen in the name of South Korean interests. It’s a wild, pulpy, fast-paced tale in the vein of The Wolf Of Wall Street and The Post that showcases America at its best and its worst. And it all really happened!

WILLIAM’S CONTRIBUTION TO ASIAN AMERICAN REPRESENTATION IN THE ENTERTAINMENT INDUSTRY

My main goal as a storyteller is to create ambitious stories with vibrant and nuanced characters. If I can hold up my end of the equation, I believe the representation conversation will only expand and grow in complexity.

What’s so exciting is that this is a LARGE conversation, there are so many voices and stories from our community that have yet to come to the forefront. And when we all overlap and intersect and discuss, that’s when the magic happens.

WILLIAM’S ASPIRATIONS LOOKING FORWARD AS A SCREENWRITER

First off, my biggest hope right now is that the WGA strike ends soon and that the studios pay us writers what we deserve.

What excites me is continuing to push my ideas to new heights in terms of scale and wonder. Stories that push the boundaries of the imagination. That wink at you while flipping you off. I’ve been working on a family adventure blockbuster and romance crime drama lately, and have a romantic comedy feature script that takes a surprise turn into a thriller in the works next. Right now, I feel drawn to stories that feel twisted and that showcase characters brushing up against the extremities of who they are.

ADVICE TO THOSE WHO WANT TO START A CAREER IN THE ENTERTAINMENT INDUSTRY

I can only really speak for the screenwriting side of things. This industry may seem like it’s an image-driven business, but it’s actually a product-driven one.

Everyone has an idea for a story, so make sure you’re the one that has a script (or scripts!) ready to go when someone asks. Know that there are lots of stories of those who follow the “rules” or those who are “exceptions”, but know that there is no “right way” of making it in this industry. Lastly: Be kind.

CONNECT WITH WILLIAM

Instagram: @its_willyu

Twitter: @its_willyu

Website: itswillyu.com

Stream Good Boy

Good Boy Instagram: @goodboyteevee

Good Boy Twitter: @goodboyteevee

Good Boy Website: goodboytv.com

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The Spirit of a Fighter: How Stepping Into a Muay Thai Ring Changed the Way Alice Shikina Works as a Mediator and Negotiation Trainer

The first time Alice Shikina stepped into a Muay Thai ring, the moment felt bigger than the fight itself. The gloves were heavy, but what weighed more was everything she had been carrying in the months before.

She was in her late thirties, newly divorced, and raising two young children on her own. Her kids were just two and five years old, and the life she had carefully built no longer looked the same.

At the same time, she was trying to establish herself as a mediator and build her own business from the ground up. She didn’t know it yet, but the self-trust she was about to forge in that ring would become the foundation of how she led others through their own conflicts.

The Fight Before the Fight

Kickboxing began as a way to cope during a season that felt completely overwhelming. It gave Alice a physical outlet when her thoughts wouldn’t quiet down and her emotions felt too heavy to carry.

A few months later, Alice’s coach asked if she would consider competing. The idea unsettled her because she had never fought before and had never faced someone trained to strike back. For two months, she wrestled with the decision. What frightened her most was not losing, but the possibility of doubting herself under pressure.

When she finally committed, her routine became disciplined and demanding. She trained three hours a day, carving out time in the early mornings and late evenings while continuing to care for her children and grow her work.

The night before her first fight in Iowa, a coach told her that the real fight was already over because it happened during the grueling months of preparation. Once she realized that, her nerves calmed and a quiet steadiness took over. Even as she approached the ring to step in and fight, she felt unusually calm. She didn’t win that match, but she stayed on her feet until the final bell, and for a woman rebuilding her life, that was more than enough.

What the Ring Taught Her About Pressure

Alice went on to fight three more times. Afterwards, Alice turned her sights to competing in triathlons and even placed first in her age group at the Alcatraz Duathlon. While the medals were nice, the real reward was the quiet discipline she built through the discomfort of training.

She came to understand that fear does not simply fade with time. It softens only when you decide to move toward it.

She also learned that preparation changes how you carry yourself in difficult moments. When you put in the work, you stand differently, breathe more steadily, and think more clearly under pressure.

Today, those lessons shape how she sits with couples navigating divorce and teams facing workplace conflict. When emotions rise and conversations begin to unravel, she remains steady, drawing on the same discipline that once kept her composed in the ring.

Building Her Practice on Her Own Terms

Alice now runs Shikina Mediation and Arbitration full-time, helping divorcing couples, families, and organizations reach agreements they once thought were out of reach. Most clients come to her when communication has broken down and trust feels fragile.

Early in her career, she tried building her business by networking with attorneys, but quickly saw the bias against non-attorney mediators in a field long dominated by older white men. Instead of forcing herself into a system that did not fully welcome her, she shifted her focus to working directly with couples and workplace clients, growing her practice into a thriving full-time business over the past decade. In 2025, Alice was awarded the prestigious Raymond Shonholtz Visionary Peacemaker Award by San Francisco’s Community Boards.

Her work has expanded beyond the mediation room. She hosts the podcast, Negotiation with Alice, now over 100 episodes strong. She authored the book Negotiating with Your Kids, and continues to teach communication and conflict resolution to executives and C-Suite staff. As a second-generation Okinawan American whose parents survived the Battle of Okinawa as children, resilience runs deep in her story. 

Nothing in business, she says, will ever feel as intimidating as stepping into a ring to face an unknown opponent. In that ring, she rebuilt her confidence. At the mediation table, she now helps others rebuild their lives with clarity, courage, and peace.

Discover more from Alice Shikina here:

📍LinkedIn

Learn more about Shikina Mediation and Arbitration here:

📍Facebook

📍Website

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From a Childhood Dream to the Red Carpet: How Elenor Mak’s Two-Year Mission to Give Michelle Yeoh a Personalized Doll Finally Happened

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Elenor Mak simply wanted to honor Michelle Yeoh and show her daughter that Asian girls can be the hero of the story too.

No one expected that the journey would end on the red carpet at the Hollywood Walk of Fame.

Image source: Elenor Mak

The Childhood Inspiration

Elenor Mak grew up watching Michelle Yeoh on Cantonese VHS tapes at home. Seeing an Asian woman lead films and command the screen made a deep impression on her as a child. It showed her that someone who looked like her could be strong, fearless, and at the center of the story. That belief stayed with her for years.

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Image source: Elenor Mak

A Two Year Mission

Creating the doll was a careful process that took five months. A professional stylist in Los Angeles helped shape the look, while a supporter in Hong Kong hand sewed the detailed feathery gown. Each part was made slowly and thoughtfully. Everyone involved wanted the doll to reflect Michelle Yeoh’s iconic Oscar moment.

At the center of it all was Elenor’s mother. She sat at the kitchen table attaching the final accessories with crazy glue and steady hands. When the doll was finished, the real challenge began. For two years, Elenor tried to find a way to get the doll into Michelle Yeoh’s hands.

Image source: @jonmchu (Instagram)

The Hollywood Moment

When Michelle Yeoh’s Hollywood Walk of Fame ceremony was announced, Elenor knew she had to try again. She flew to Los Angeles with her friend Dion Lim, an Emmy Award winning journalist, hoping for one last chance. They waited behind barricades for hours as the crowd gathered. After hearing no from security several times, they almost gave up.

Then something unexpected happened. Janet Yang, a producer and former head of the Academy, stepped in and helped make the moment possible. Soon after, Michelle Yeoh lifted the doll on the red carpet while Sandra Oh and Awkwafina cheered nearby. For Elenor, the moment meant more than giving a gift. It was for the little girl who once watched Michelle Yeoh on old VHS tapes and believed she could belong too.

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Jonathan Quach Was Told He Was Too Young and Too Asian to Lead—Now He’s Built Team Quachro Into One of California’s Largest Youth Basketball Platforms

At 19 years old, most people are still trying to figure out who they want to become. Jonathan Quach, who also goes by Johny, was already thinking about how he could create space for others to grow.

He did not have investors backing him or access to elite facilities. What he had was a deep love for basketball and a growing frustration with how many talented kids were being left out of high-level programs simply because they lacked money, connections, or visibility. 

The name Team Quachro (TQ) was originally created just to enter his first eight kids into a local youth league. What started as a play on words from his last name, ended up becoming a staple in the Orange County Basketball community, competing with the other heavy hitters in the industry.

Starting at 19 with Nothing but Belief

Starting a program at 19 meant stepping into rooms where almost everyone was older. Johny had to lead coaches and speak with parents who had decades more life experience than he did. When he had only 50 kids in the program, a handful of larger, established programs recognized the early growth and tried to buy him out from the start.

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Now 26 years old, Johny has built one of the largest basketball programs and tournament operations in California. By remaining consistent and treating every family with respect, he gradually turned early skepticism into long-term trust. Team Quachro now serves more than 300 athletes, with thousands of families having come through the program over the years.

Carving a New Lane for Asian Leadership

Building one of California’s largest platforms by age 26 is a feat in itself, but doing so as an Asian founder carries even more weight. In the youth basketball world, Asian founders are rarely seen in leadership roles. Johny understood that reality and wanted younger players to see someone who looked like them leading from the front.

Representation, for him, was not about making statements. It was about building something real and lasting that could create opportunity for others. Every partnership and every opportunity had to be earned through persistence and relationship building.

Over time, that work transformed a small training group into one of the most respected sports organizations in California. Johny proved that leadership is not determined by age, background, or stereotype. It is shaped by commitment, integrity, and care for the people you serve.

Leaving a Legacy Bigger Than Trophies

What began as a handful of local training sessions has grown into a thriving ecosystem of teams, tournaments, and mentorship. The results of that dedication are visible at the next level, with TQ athletes playing at the Division I college level, as well as at JUCO and NAIA programs.

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Johny did not inherit a platform, and he did not receive a head start. Today, the program stands as more than a basketball organization. It stands as a family built on loyalty, mentorship, and shared belief. For him, that culture is the greatest achievement of all, far greater than any trophy or tournament win.

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For generations, the Koo family has played a defining role in Taiwan’s business landscape, building institutions that span finance, infrastructure, and beyond. Growing up within that environment meant understanding both the privilege and the responsibility tied to the family name. Legacy, in this case, was not just inherited wealth but a long-standing commitment to growth and impact.

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Building K8 Capital for the AI Era

That vision took shape through K8 Capital, a firm designed to invest in artificial intelligence and enterprise software. Rather than following typical venture capital models, Andre structured a hybrid strategy that blends private credit with venture investments. This approach allows him to pursue innovation while maintaining disciplined risk management.

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