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October 28, 2024

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After years of working at odd jobs, Yang has found his first lead role and left Yu knocked back in tears during his audition.

A Lemon. The $1,500 Toyota Corolla with no power windows, a busted side door, and poor brakes is what Jimmy O. Yang rode around Los Angeles to prepare for his role as Willis Wu, an overlooked Asian American everyman in the series “Interior Chinatown.” 

The result? “Pull over, call whoever got you in here. If you can’t, you gotta go…” A rude remark from the studio’s guard as Yang recalled in a Zoom with the Los Angeles Times (LA Times) even though he was No.1 on the call sheet. 

The experience reminded Yang of his life story as a Hong Kong immigrant moving to the United States. Yang stated in the interview, “Willis’ journey is such a metaphor for the Asian American experience because we are the model minority, but at the same time we are invisible. People talk about Black and white, but where do we fall? You’re just not seen for who you are.” In an article by SCMP, the actor-writer-comedian further exemplifies, “Willis laments feeling like a background actor in someone else’s story and longs to be in the spotlight, but that’s hard if you look like me.”

At the age of 13, Yang relocated to Los Angeles feeling the intense culture shock. “My goal was to just assimilate so I don’t get made fun of,” Yang recalled. In the school’s locker room, he was mocked for wearing whities instead of boxers. During 8th grade, his peers had mustaches and dunked basketballs while he barely hit puberty. Using a fake address, he enrolled in Beverly Hills High School and immersed himself in American pop culture. Unable to rap, Yang learned to incorporate his violin into the hip-hop beats he made through a software named Fruity Loops.

Despite his parents’ harsh opposition, Yang acknowledges, “I don’t think they were, like, anti-art by any means. My dad probably wishes he could have been an actor or a musician. It just truly wasn’t a real job for him. He wanted me to be financially stable, and not be homeless.” Yang started working at a string of odd jobs from selling used cars to DJing at strip clubs. Stand-up comedy, which Yang has now become notorious for besides acting, became his informal acting, writing, and directing school. 

Persistent in his passion, Yang landed small speaking roles in series like “Agents of S.H.I.E.L.D.,” where he was misunderstood as a background actor for his ethnicity, and “Silicon Valley,” originally a one-off guest role or a one-note cliché. Yang’s fame finally came in Crazy Rich Asians. Yang claims, “If I botched an audition, I never blamed the fact that they weren’t looking for an Asian actor. It didn’t deter me. But looking back, we had very limited opportunities. Since ‘Crazy Rich Asians,’ I think there’s more.” The success has made Yang’s father, Richard Ouyang, proud – even helping him with commercial and acting gigs with his son. 

The series “Interior Chinatown” became an immediate connection to Yang. According to the LA Times, Charles Yu, creator of the series which was adapted from his National Book Award-winning novel of the same name, was inspired by, “people who have these backstories, but they don’t get to tell those stories”. He was astonished by Yang’s performance as he felt a connection between Yang’s multicultural background, multilingualism, and his natural ability for acting. 

Despite the grueling six months of shooting, doing comedy, drama, and Kung Fu every week, Yang happily states, “It was very grueling. But of course, it’s a beautiful story worth telling.” At the end of the day, whether it is for better or worse, Yang’s days of being a sidekick are finally over.

Featured Image Source: Mike Taing from The Wrap

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Jennifer Chun, Uniformed’s designer, brings a refreshing collaboration of Korean-American heritage and sustainability practices. Her story began during the pandemic, when she discovered traditional natural dyeing techniques. After connecting with experts and artisans, she came to Korea and got directly involved in the dyeing lessons. “I had no idea Korea had its natural dyeing traditions,” Chun shared.

Her collection is a celebratory integration of hand-dyed materials and fabrics from traditional markets to create a sustainable, limited-edition line.

Jennifer Chun blends her Korean heritage into her sustainable fashion line, Uniformed. (Photo credit: Wayn Ohara Reid)

Overcoming the Challenges of Slow Fashion

Amidst the growing world of fast fashion, it is clear that Chun’s main challenge lies in maintaining sustainability while navigating an industry deeply accustomed to mass production and fleeting trends.

Fashion has changed so much that consumers want items faster or cheaper because we have gotten used to mass production. I make such limited quantities that it can be a challenge working with factories that would rather produce en masse and do not want to make specialized pieces that take thought or time, as producing less can increase manufacturing prices. It’s difficult to educate consumers on this when even people in my industry aren’t aware of what goes into the whole process.

During the global lockdown, designer Jennifer Chun found an unexpected bridge to her Korean heritage through a chance encounter with an article on Korea’s natural dyeing traditions—an art form predating the country’s unification.

I came across an article about Korea’s natural dyeing and artisans. I had no idea Korea had its own natural dyeing traditions and techniques that predated the formal unification of Korea. In the article, they interviewed a natural dyer outside of Seoul, and I decided to just email her. My mother was in lockdown, living in LA, and like many senior citizens, the isolation was incredibly difficult. So I asked her to collaborate with me by helping me communicate with the natural dyer.  

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Working with Korean artists—who prioritize quality over quantity—has deepened her appreciation for true craftsmanship. ‘There is so much pride in the craft and process. They do not compromise sustainability at any cost, and I had to assure them that I wouldn’t either if we were to collaborate,’ she explains, highlighting Uniformed’s commitment to sustainability.

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Jennifer is not one to shy away from how her heritage has a profound impact on her design. She takes great pride in how it informs her work, and she has learned to combine these cultural elements more skillfully as she refines her craft. “With Uniformed, I am really proud that I have been able to bring my Korean American heritage into my designs,” she shared. “None of this is easy or formulaic, but it is a new, interesting, and inspired challenge.”

The opportunities to reconnect with her roots, meet local artisans, and learn new techniques have been both humbling and transformative for Jennifer. “It can be a very humbling experience to adopt a new perspective and craft after working in this industry a certain way,” she reflected. “You’re almost starting over and sometimes have to prove yourself, but it’s all been worth it for the new experiences.” This humility and commitment to continuous learning form the foundation of her design philosophy and entrepreneurial values.

Fashion with a Global Vision

Jennifer’s ultimate goal for Uniformed is to collaborate with artisans around the world, incorporating the diverse experiences of Koreans globally. “I want to understand more about Koreans in different parts of the world,” she shared. By blending these cultural perspectives, she aims to create a brand that celebrates the universal appeal of the ‘uniform,’ merging tradition with modernity.

Jennifer Chun’s design (Photo Credit: Kim Jae Min)

Connect With Jennifer Chun

IG: @uniformed_world

Website: uniformedworld.com

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