Design

March 13, 2025

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As AI increasingly makes its way into the UI designer’s toolkit, Midjourney is fast becoming one of the most popular image generators. 

With a simple text prompt, you can use Midjourney AI to create custom digital artworks, whip up an app screen, design individual UI elements, and generate colour palettes—all in a matter of seconds.

For UI designers, this can really accelerate the ideation process and help you expand your own creativity. 

So how does Midjourney AI work? And how can you leverage it in the UI design process? Let’s take a look. 

What is Midjourney AI and how does it work?

Midjourney is a generative AI tool created by Midjourney, Inc.—an independent research lab based in San Francisco.

Midjourney AI generates images and digital artworks based on text prompts. If you enter a prompt asking for an image of a mermaid swimming underwater surrounded by marine life, Midjourney will generate four versions for you to choose from. The more specific your prompts, the better—but we’ll get to the art of prompt-writing for Midjourney in a later section. 

Midjourney works within the Discord platform. Discord is an instant messaging app, commonly used to create communities where users can chat via text, voice, and video. Discord essentially facilitates communication between the user and the Midjourney bot.

Midjourney uses two key machine learning technologies:

  • Large Language Models (LLM): this is how Midjourney understands and interprets the text prompts provided by the user.
  • Diffusion Models (DM): in very simple terms, this technology converts random visual noise into a meaningful image. You enter a text prompt, which sparks a field of visual noise. The AI then progressively removes that noise in incremental steps, eventually resulting in an image that resembles what you’ve asked for. 

Now we know what Midjourney is and how it works, let’s drill down to some key functions and features. 

What can Midjourney AI do? Key features

Midjourney’s core function is to convert text prompts into images. This allows you to generate unique digital artworks and graphics in a range of styles. 

You can guide the image generation process by applying custom parameters to your prompts. You might specify a certain aspect ratio, for example, or a particular style such as ‘watercolour’ or ‘flat design’. 

You can also customise the quality of your images by specifying, within your prompt, a value for the rendering quality. You might specify ‘q 1’ (that’s the default quality level) or request that images be rendered to a higher quality by specifying ‘q 2’ in your prompt. 

Once you’ve entered your prompt, Midjourney will give you four different image versions. You can choose to upscale a particular version, which will increase the size/dimensions of the image and also improve the quality. 

Beyond image generation, Midjourney serves as a great source of community and inspiration. You can share your creations and browse images created by others, allowing you to see what’s possible with Midjourney and sparking ideas for your own work. 

How to get set up on Midjourney AI

To use Midjourney AI, you’ll need to create both a Discord account and a Midjourney account. 

If you’re not already a member, first head over to the Discord platform and follow the instructions to create your account. Once you’re signed up, join the official Midjourney Discord server by clicking the ‘Accept invite’ button. 

You’ll then find yourself in the “Getting started” channel, where you can create your Midjourney account (if you haven’t already done so) by clicking “Get your Midjourney membership” (visible in the chat):

This will take you to a separate page, the Midjourney showcase, where you can click “Sign up” in the bottom left corner to create your Midjourney account. 

Once you’re signed up and logged in to Midjourney, you can navigate back to the Midjourney Discord server and enter one of the so-called “newbie” bot channels. You’ll find available newbie channels on the left-hand side.

You can then enter your own prompts into the chat box to start generating images. 

At the time of writing, Midjourney is no longer offering a free trial for new users. If you want to start prompting, you’ll need to sign up for a paid subscription. 

How much does Midjourney AI cost?

Midjourney offers four price tiers:

  • Basic Plan for $10 per month or $96 per year with an annual subscription (that’s around €9 per month / €89 per year)
  • Standard Plan for $30 per month or $288 per year with an annual subscription (that’s around €28 per month / €267 per year)
  • Pro Plan for $60 per month or $576 per year with an annual subscription (that’s around €55 per month / €533 per year)
  • Mega Plan for $120 per month or $1,152 per year with an annual subscription (that’s around €111 per month / €1,066 per year). 

For more information about each price tier and what’s included, visit the official Midjourney pricing page.

How to use Midjourney AI in UI design (with example prompts)

Midjourney can generate custom visuals in a matter of seconds—making it an incredibly interesting tool for UI designers. You can use Midjourney to quickly create screens and individual UI components, come up with themes, styles, and colour palettes, and generate unique digital artwork. 

Note, however, that the graphics you create with Midjourney won’t necessarily be directly usable—and working with Midjourney doesn’t eliminate the need to create your own screens and elements using the usual UI tools like Sketch and Figma. If you generate an app screen with Midjourney, for example, you’ll still need to actually create that screen from scratch yourself. 

Where Midjourney really comes in useful is helping you to explore different ideas and concepts and gather inspiration. You might use your AI-generated artwork to inspire mood boards, kick-start an ideation session, or serve as a guide for certain layouts or colour schemes. 

With that, let’s consider some examples of how to use Midjourney for UI design. 

Use Midjourney AI to generate app screens 

If you’re designing for mobile, Midjourney can help you ideate layouts and designs for various app screens. If you’re designing a dating app, for example, you might try the following Midjourney prompts:

  • /imagine a vibrant and fun login screen for a dating app, with an eye-catching background, username and password fields, and buttons for login and social media sign-ins
  • /imagine a user profile screen for a dating app, featuring a large profile picture at the top, user bio, interests, and match percentage displayed in a clean layout
  • /imagine a match screen for a dating app, showing potential matches with profile pictures, a brief bio, and buttons to like, dislike, or super like
  • /imagine a chat screen for a dating app with a clean interface, message bubbles, timestamps, and an input field at the bottom

Create UI components such as icons, buttons, and logos 

Perhaps you want inspiration for the finer details of your app or website. In that case, try using Midjourney AI to create individual UI components such as icons, buttons, and logos. Here are some prompt examples to guide you:

  • /imagine a set of modern buttons for a mobile app, including primary, secondary, and disabled states, using a black and white colour scheme
  • /imagine a collection of minimalist icons for a mobile app, including icons for home, search, messages, settings, and notifications
  • /imagine a sleek and modern logo for a dating app, incorporating elements of connection and love, with a vibrant colour scheme

Generate theme and style concepts 

In the early stages of the design process, you might focus on coming up with an overall visual style for your website or app—and Midjourney can help with this, too. Specify your vision or initial ideas and let Midjourney bring them to life. 

Consider the following prompt examples:

  • /imagine a light mode theme for a productivity app, featuring white backgrounds, soft grey UI elements, and navy blue highlights
  • /imagine a dark mode theme for a music app, with black backgrounds, dark grey UI elements, and neon pink highlights
  • /imagine a vibrant and colourful theme for a creative design app, with bold colours like orange, pink, and teal, playful typography, and dynamic UI elements

Create custom website imagery 

Imagery plays an important role in UI design, helping to reinforce brand identity and enhance the visual appeal of your website or app. 

Whether you want to create cartoon-style illustrations, abstract artwork, or realistic images of products, places, or people, Midjourney can generate custom imagery that reflects your brand and vision. 

Here are some examples of how you might prompt Midjourney to generate images for different use cases:

  • /imagine a stunning hero image for a tech startup website, featuring abstract technology elements and a modern cityscape in the background
  • /imagine a set of custom illustrations for a health and wellness website, featuring people doing yoga, eating healthy, and meditating
  • /imagine a unique background image for a creative agency website, with abstract shapes and vibrant colours

Generate colour palettes 

Perhaps you want help coming up with the perfect colour palette, or you’ve already got a colour scheme in mind and want to see how it looks in practice. Again, Midjourney is an excellent source of inspiration here. Simply specify the kind of look and feel you’re aiming for and Midjourney can generate multiple colour palettes accordingly.

Consider the following prompt examples to guide you:

  • /imagine a pastel colour palette for a wellness app, featuring soft shades of mint green, blush pink, lavender, and light grey
  • /imagine a bold, split-complementary colour palette for a fitness app, comprising three colours
  • /imagine a monochromatic colour palette for a finance app

How to write effective prompts for Midjourney AI

As with all generative AI tools, the quality of the output depends on the quality of the input. In other words, it’s up to you to tell the AI what you want—and to master the art of prompt-writing for the specific tool you’re using. 

Here are some tips to help you write effective prompts for Midjourney AI:

  • Start each prompt with the /imagine command, followed by a description of what you want the AI to create.
  • Keep it simple and specific. To quote the official Midjourney guidelines for prompt-writing: “The Midjourney Bot works best with simple short phrases that describe what you want to see. Avoid long lists of requests and instructions.”
  • Specify what you want the image to include, rather than what you don’t want it to include. Even if you specify “no flowers” in your prompt, the AI will likely only focus on the word “flowers” and therefore create an image that does indeed contain flowers. If you absolutely want to exclude something from the image, use the “no” parameter. For example: – – no flowers.
  • If necessary, specify your desired aspect ratio using the following parameter: – – ar [value]. If you wanted to generate an app screen, you could specify – – ar 16:9.
  • Use the stylize parameter to control the level of artistic flair that Midjourney injects into each image. If you imagine that the default level, 2500, gives you a medium level of stylization, you can dial it up or down by specifying values higher or lower than 2500. If you wanted to generate an image of a garden that’s more realistic than artistic, you might specify – – stylize 500. If you wanted to create an image of a garden that looks magical and fantastical, you might specify – – stylize 3500.
  • Use the quality parameter to adjust the level of quality and detail in the image. – – q 1 is the default, so work from that value to dial the quality up or down. 

Most importantly, be prepared to experiment. The more you use Midjourney, the more intuitive the art of prompt-writing will become. You’ll start to get a feel for what works and see how different words, phrases, and parameters influence the output. 

Ethical considerations when using Midjourney AI

If you’re using Midjourney AI (or indeed any AI tools) throughout the design process, you must take care to use it responsibly. Here are some of the most important ethical considerations to bear in mind.

Intellectual property and copyright

When generating images with AI, be careful about replicating existing images or artworks created by other artists or designers. You might use a famous logo for inspiration, for example, but you wouldn’t want to emulate the style too closely to the point of copying. 

Deceptive and misleading content

This is like the visual equivalent of fake news—creating image-based content that deliberately deceives, misleads, manipulates, or spreads misinformation. Don’t do it!

Stereotypes and bias

It’s well-documented that AI can and does perpetuate harmful stereotypes and biases. As a human user, you must be diligent about actively looking out for such biases and taking steps to mitigate them.

Strive to generate images that are inclusive and representative of diverse groups. If you generate an image that doesn’t feel inclusive or could potentially exclude or harm certain people, don’t use it. You can learn more about the importance of designing inclusive content in this guide. 

As a general rule: always review AI-generated content with a critical eye, and use your better judgement. As a human user, it’s your responsibility to consider the impact of any content you create—and to ultimately decide what makes it into the public domain. 

The takeaway

Midjourney AI can generate custom images in seconds, making it an excellent tool for gathering inspiration, sparking your own creativity, and ideating and exploring different design concepts, layouts, and styles. 

Whether you use it to generate fully-fledged app screens, individual UI elements, impressive artworks, or colour palettes: Midjourney AI is a powerful addition to your UI design toolkit. 

Ready to get started with Midjourney AI? Experiment with different prompts and use cases, explore other Midjourney users’ creations, and be mindful of the ethical considerations we’ve laid out in this guide. You’ll soon be generating images like a pro! 

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Nominated by the community and acknowledged during the Uplifted Conference 2024, these heroes represent a diverse array of backgrounds and accomplishments, each leaving an indelible mark on the community.

Join us in honoring these Unsung Heroes, amplifying their remarkable achievements, and recognizing the profound impact they’ve had on shaping a more inclusive and empowered society.

The Bill Imada Top 50 Unsung Heroes 2024

Glenn Boulware

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Jess Choi

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jason chu

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Andrew Dinh

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Jeff Tsai specializes in empowering C-Level Executives and Business Visionaries to navigate challenges and achieve their goals. Currently serving as the National Operations Manager of ACE NextGen, Jeff is dedicated to enhancing infrastructure to meet community needs. His previous roles include Operations Director at Project by Project and Advisor at Sunny Side, focusing on mental wellness app development. With a background in Ecology & Evolution from UCSC, Jeff brings a unique perspective to creating functional workplaces in dynamic environments.

Tim Wang

Founder, TDW+Co

Tim Wang founded TDW+Co in Seattle’s Chinatown in 2004 with a vision of inspiring positive and social impact within diverse communities. Since its inception, TDW+Co has produced over 1,000 campaigns for 100 brands in 30 languages, including notable projects like the 2020 Census and COVID-19 public education campaigns. Beside TDW+CO, Tim maintains his voluntary duties for social justice and DEIB, serving as a board member for Asian Americans Advancing Justice, 4As, ThinkNW and LA, and St. Jude Children’s Research Hospital.

Wendy Wo ng

Founder, JuneAdaptive.com

Wendy Wong is a proud Chinese-Canadian female founder and first-generation immigrant from Hong Kong. Having close family members who live with disabilities and a background in Fashion and Tech, Wendy founded JuneAdaptive.com to help people who live with disabilities find easy-dressing clothing. Featured in various media outlets, JuneAdaptive.com has positively impacted hundreds of families and individuals living with disabilities.

Henry Wu

Founder / Editor in Chief, Timid Magazine

Henry Wu brought together his passions for design and photography to launch Timid Magazine. Serving as both founder and editor-in-chief, Henry leads a talented team in shaping the editorial and aesthetic direction of the magazine, which aims to uplift diverse voices and foster connections through impactful storytelling. Alongside his role at Timid, Henry is also a digital designer, focusing on product development and visual storytelling. As a self-taught fashion photographer, his work has been featured in esteemed publications such as Men’s Health, Elle Singapore, Vogue Italia, and People magazine.

Tara Yang

City Commissioner, The City of Green Bay

Tara Yang has dedicated over a decade to amplifying marginalized voices and fostering inclusivity. Recognizing systemic barriers, Tara secured her place at decision-making tables and supported the City of Green Bay Mayor, Eric Genrich, in developing GB’s first anti-discriminatory ordinance, and won an appointment as the first Asian American City Commissioner for Green Bay. In 2020, she founded Green Bay’s first Asian American Resource Center to ensure that the Asian community receives critical support.

Gloria Chang Yip

Managing Director, Head of Asian Wealth Initiatives, JP Morgan Private Bank

Gloria Chang Yip is the Managing Director and Head of Asian Wealth Initiatives at J.P. Morgan Private Bank. Specializing in assisting founders and entrepreneurs with wealth management, she oversees client relationships in lending, wealth planning, trust and estate planning, and charitable giving. Previously, Gloria held roles at Cartier and is actively involved in promoting Asian American interests and equal education opportunities. She serves in leadership positions for organizations like Asian Americans Advancing Justice Southern California and TeachAAPI, and provides executive advisory support to BrainTrust.

Linda Yoon

Founder & Co-Owner, Yellow Chair Collective

Linda Yoon is the founder, co-director, and licensed psychotherapist at Yellow Chair Collective, specializing in Asian mental health. With over a decade of experience, she has served Asian and immigrant communities in various mental health settings such as workshops on responsive care, wellness, and ADHD. She is also the co-author of “Where I Belong: Healing Trauma and Embracing Asian American Identity,” and co-founder of Entwine Community.

Michelle Yu

Emmy Award Winning Journalist, Law and Crime Trial Network

Michelle Yu is an Emmy Award-winning reporter and anchor having covered breaking news and sports for more than a decade. She is currently an anchor on Law & Crime Trial Network, founded by Dan Abrams Media. She is the first Asian female sportscaster in New York City and also travels around the country as a host for various tennis tournaments including the US Open. Before SNY, she was at NY1 News.

Carrie Zhang

Founder, Asian Mental Health Project

Carrie Zhang, activist and founder of the Asian Mental Health Project, advocates for mental health equity, focusing on AAPI and LGBTQIA+ communities and survivors of sexual violence. Established in 2019, her project aims to empower Pan-Asian communities in accessing mental healthcare. Carrie’s work has gained recognition in media outlets like Vogue and TIME, and was even featured in the Academy Award-winning movie “Everything Everywhere All at Once” by A24.

Tianyi Joe Zhu

Co-Chair, Leaders Forum

Tianyi “Joe” Zhu, the Co-Chair of Leaders Forum, was honored as one of the “Top 50 Outstanding Asian-Americans in Business” by the Asian-American Business Development Corporation in 2017 and as a Business Leader of Color by Chicago United in 2019. He was also named one of the “Top 40 Asian Pacific Americans Under 40 in Politics & Public Affairs” by NAAPPPA in 2020. Additionally, Joe serves on the Chinese Mutual Aid Association executive board, an immigrant organization that has served over 1.3 million people in its 40-year history.

Yobe-and-Serena-jpg

Stories

They Met in AHN, Now They Started a Tech Venture to Revolutionize Publishing

In a world where AI is all the rage, two AHN members are using AI to champion authentic storytelling in the publishing industry.

As entrepreneurs and advocates for change, Yobe Qiu and Serena Li have made it their mission to champion diversity and inclusion in children’s literature, ensuring that every child, regardless of their background, sees themselves represented and celebrated. Now they are building a new platform together  – BookAnAuthor.com – which uses machine learning to make it easier for schools, organizations and corporations to book authors for events, and buy directly from authors.

A MATCH MADE IN AHN

We had the opportunity to have an exclusive interview with Yobe and Serena, whose journeys began with a chance encounter on the Asian Hustle Network community. Yobe is a serial entrepreneur in education and founder of By Yobe Qiu Multicultural Books and Toys, while Serena is the founder of Duck Duck Books and Eco Goods. It was here that Yobe and Serena found common ground:

Yobe: We were both members of the AHN group and I have posted a few times in the group to connect with other “hustlers.” One day I posted about looking for an editor in our community for our newest book, “I Am an Amazing Asian Girl”. I wanted to make sure my editor is someone who my book can speak to and Serena commented on my post that she could help. That was the start of our relationship, and AHN was our matchmaker! 

We started working together on that project and I was extremely impressed with her talent, dedication, and brilliance, we went on to do a few more projects together. What initially drew us to each other’s work was our experience in our fields, our respect for each other’s work ethics, and our support for each other to help one another grow. 

Serena: I am incredibly grateful that Yobe took a chance with me. During the pandemic, where in-person interaction was close to none, Yobe trusted me with her book – a stranger across the country. Our relationship is a testament to the power of community. 

ASIAN AMERICAN BOOKS EVERYWHERE ALL AT ONCE

Together, Yobe and Serena embarked on a mission to promote diversity and representation in children’s literature, culminating in the launch of the “Asian American Books Everywhere All At Once” campaign in April 2023. The campaign aimed to provide books featuring AAPI characters and stories to schools across the United States, championing authentic storytelling and cultural celebration:

Yobe: I was inspired by Michelle Yeoh when she said at the Oscars, “Every little girl who looks like [her] to know what’s possible. Dream big.” I wanted to provide books to schools that feature AAPI children, families, and cultures, to help our children feel represented and celebrated. That night, I called up Serena and two other author friends to join forces. We named the campaign, “Asian American Books Everywhere All at Once” as a spin-off from EEAAO’s huge win for the AAPI community in media! The name, despite being very long, received tremendous support among the community. It was very timely. Within a month, we exceeded our original goal and sent over 1500+ books to 20 schools across 5 states and donated books to them. 

Serena: All of the books we donated either featured AAPI characters or were written by an AAPI author. Our effort was a direct response to the book ban that was happening across the U.S. Instead of sitting still, we rallied our community at a grassroots level to support the schools around the country. 

DIFFERENT UPBRINGINGS, SAME GOALS

Yobe and Serena grew up from different backgrounds, but together, they draw upon their rich experiences to advocate for greater inclusivity and representation in children’s literature, ensuring that young readers from all walks of life feel empowered and inspired by the stories they encounter.

Yobe: Growing up surrounded by diversity and a very strong Chinese community in NYC’s Chinatown, I am proud of who I am and my culture because it was celebrated in the city. I wouldn’t be who I am today if it wasn’t because of the environment I grew up in. I’ve learned to be curious and make friends with people from all cultures growing up in the Big Apple. The hustling culture and welcoming spirit of New York Chinatown is ingrained in my DNA. 

My first job after graduate school was teaching. I wanted to discuss the Lunar New Year with my students, but there weren’t any materials that covered the diverse ways many Asian diasporas celebrate their New Year. I had students who were Korean, Vietnamese, Indian, and Thai in the classrooms, but most of the books were about the Chinese New Year. In my opinion, it was important not only to discuss the culture I was from but also to acknowledge the blended cultures my daughter’s generation would grow up in. So I took the initiative and wrote my very first book, “Our Lunar New Year: Celebrating the Lunar New Year in 5 Different Asian Communities.”

Serena: My experience was a bit different than Yobe’s. I moved to a suburb in Houston, TX at the age of 14 with my family. I didn’t speak any English. At that time, Houston wasn’t nearly as diverse. I remember my neighbors and classmates genuinely asking me, “Do Asians speak Asian?”. The road to immigration was hard, but I survived it. Being a 1.5-generation Chinese American, I identified equally as a Chinese person and as an American. 

Fast forward, now that I have children of my own, I look at them daily and ponder how they would identify themselves. I want them to grow up being proud of exactly who they are, their family history, and their blended cultures. I want to write books that hone in on the social emotional themes that are cross-cultural, so children can be kind to themselves and kind to others. I want to write books that are bilingual, so children of different cultures can learn to be open-minded. 

BOOKANAUTHOR.COM: YOUR GATEWAY TO LITERARY CONNECTIONS

Building upon the success of their campaign, they set their sights on a new endeavor: BookAnAuthor.com. This innovative platform, set to launch on April 15, 2024, aims to connect authors with schools, organizations, and independent bookstores, making literary engagements more accessible and fostering a love for reading among students nationwide:

Yobe: For the same reasons why literature should feature more diverse characters and stories, coming out of the pandemic, we see an increasing need for in-person literary engagements. There’s nothing that inspires students more than meeting their favorite authors. Currently, there isn’t a platform available that helps schools and organizations discover and book authors for events based on their requirements and constraints. The diverse authors, especially those who don’t have traditional agents representing them, are having a hard time finding which institutions are seeking authors for events at the moment. We want to build an ecosystem that offers literary services in a comprehensive way, from discovery to booking, from bulk orders to fundraising. Our tagline is “Your Gateway to Literary Connections”. 

Serena: Both Yobe and I are passionate about helping other authors. We each have consulting businesses helping authors realize their publishing dreams. Book An Author naturally becomes our next step. It allows us to take the learning from our very successful Asian American Books Everywhere All At Once campaign last year and scale it to support not only our immediate network but also the entire publishing community. We are here to use technology to disrupt the publishing industry! 

With BookAnAuthor.com, authors can showcase their profiles, books, and expertise, organized by zip code, rates, and availability. This allows for efficient management of bookings, event scheduling, and receipt of valuable feedback from schools, ultimately improving services and expanding audiences.

For schools, the platform simplifies the process of finding and booking diverse, vetted authors for visits, workshops, and other activities. It offers flexible discovery and booking options based on location, rates, and genres, as well as the ability to release RFPs and review customized bids systematically.

Additionally, the platform provides access to educational resources, enables educators to share feedback and ratings, and includes money-back guarantees and security features for easy booking processes.

CONNECT WITH YOBE AND SERENA / BOOK AN AUTHOR

“We are so grateful to have this community and if anyone has any insight for us, we are all ears. We are also happy to help anyone else in the community if they need help with publishing!” – Yobe Qiu

Book An Author: @BookAnAuthor (Facebook, Instagram, LinkedIn, TikTok) 

Website: bookanauthor.com 

Yobe Qiu, Co-founder and CEO, CFO: https://www.linkedin.com/in/yobe-qiu/

Serena Li, Co-founder and COO, CMO: https://www.linkedin.com/in/serenayli/

By Yobe Qiu – Multicultural Children’s Books and Toys: @ByYobeQiu (Facebook, Instagram, TikTok, Amazon) 

Duck Duck Books + Eco Goods – Multilingual, SEL Kids Books and Eco-conscious Gifts: @duckduckbooks (Facebook, Instagram, Threads, TikTok, Pinterest, Google, YouTube)

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Stories

How Jenny Woo Builds Deeper Connections With A Card Deck Up Her Sleeve

Social media undoubtedly has brought our society many wonders. The connection it can bring and the impact it can make are undeniable. But along with the rise of platforms that prioritize online personas and shortcut conversations, profound connections feel like an endurance test.

Jenny Woo, taking an emotional and deep-dive reading of this pattern, decided to develop the 52 Essential Conversations. She then established Mind Brain Emotion with the hope of helping people stay in tune with their emotions, building happiness, serenity, and wisdom. 

AN INCUBATION AT HARVARD

It was an insightful experience to have this exclusive interview with Jenny Woo, whose keen observation and curiosity have led her to the creation of Mind Brain Emotion, educational card games, and mental health tools to help people build essential human skills and connections.

Delightfully quipping “I earned enough credentials so that my parents and grandparents could each have an honorary degree,” Jenny showcased a strong personality, one that is “resourceful, resilient, and hard-working.” As she would humorously refer to herself as a “knowledge smuggler,” Jenny dug up the problems in current education towards one’s emotional development:

During my study and research at Harvard, I was drawn to the intersection of emotional intelligence and cultural identity. Self-awareness, social awareness, and relationship skills were three key components of emotional intelligence. As a management consultant, executive coach, and HR leader, I had already observed how essential these skills were for career success. 

And yet, the education system did little to expose students to these skills. Teaching resources were scarce, expensive, and outdated, and only the most expensive private schools had access. I also interviewed Harvard and MIT students on what got them to be where they are today and realized that a large component was having access to essential conversations and connections with mentors and parents. 

Jenny also detailed the inspiration behind her first deck, 52 Essential Conversations, which came from careful investigation into neuroscience and social affairs:

My findings are also aligned with neuroscience research from Harvard/MIT on the power of conversations. For the average Joe or Jenny, like me, we had limited access to social capital and resources like this. So, it inspired me to translate emotional intelligence research and social capital into affordable and relatable card games to help everyone reach their potential. In my research, I also saw a lack of representation and conversations around diversity, equity, and inclusion in the emotional intelligence learning framework. For example, how could we practice self-awareness or social awareness if we didn’t discuss the role of race? Being socially aware is also understanding our privilege and past.

NAVIGATION THROUGH RACISM AND MISOGYNY 

Jenny’s journey was never met with only the appraisals but also the scathing criticism of her success as an Asian American. Her detractors claimed many misogynistic things upon her (“women like this die alone”) and called her a CCP spy, because it was never expected of a woman like her to achieve such success. However, it is the meaning of her work and the applauding reaction of her supporters that have kept her moving forward: 

User testimonials are why I do what I do. My card decks are being used in ways that I had never imagined – in veteran hospitals and curriculums, in Federally-funded programs that support homeless youth and displaced families, in trauma-informed social work to help neglected and abused kids and adults, for Ukraine teen refugees, in speech-language therapy to help clients build reading comprehension, in community college and adult learning ESL classes to help immigrants learn language and networking, in gifted and talented programs to help students build both critical thinking and empathy, in workplaces for teambuilding and mentorship, etc. I’ve done university research on the utility of the card decks and it’s amazing to see it benefiting people from all socioeconomic classes, from poverty to affluence. 

At the end of a school district workshop I delivered, the school counselor told me that the divorced parents who had been on toxic non-speaking terms were surprisingly communicating warmly to each other and their child by the end of my hands-on workshop using the card decks. It’s anecdotes like this that keep me going.

AI, GEN Z, AND MIND BRAIN EMOTION

When asked about how AI has transcended society, she brought up the concerns for mental health, fearing the permeating scarcity of personal connection:

I was interviewed on an emerging study on the impact of AI on the mental health of workers (not just in the US, but also in the Asia Pacific) between the ages of 25 – 55. It found that workers were lonelier and craved more social interaction. I love tech and AI, and I believe they have improved the quality of our lives tremendously. However, in the context of emotional intelligence, it’s making it harder for people to experience authentic and unfiltered IRL emotional connections and social interactions. Lately, I’ve been interviewed a lot on emotional intelligence topics like how to initiate a conversation with strangers, phubbing, and how to cope with social anxiety and ghosting. Although people are now much more aware of the importance of mental health, I’m afraid that many are left with little practice (or willingness) for human-to-human connection. 

However, there’s always a silver lining. With the growing acceptance to talk about mental health among younger generations, Jenny sees a glimmer of hope in her products. They have the potential to support young people in fostering greater openness and understanding surrounding mental health issues:

I have a few more decks in the works that support Gen Alpha, GenZers, and Millennials. My card deck topics were created based on user feedback on their needs. For example, I created the 52 Essential Coping Skills during the pandemic to support my college students’ mental health. Many of the cards stemmed from a course I had been teaching, where I created practical Zoom games and assignments to help my students cope with the situations they were confiding in me. My class was oversubscribed with a long waitlist, so I made my exercises into this card game to offer instant support.

I created the 52 Essential Critical Thinking Skills in response to Black Lives Matter and Asian Hate crimes to give younger generations the tools for activism and advocacy. Most recently, a national youth-centered activism nonprofit organization contacted me to discuss collaborative partnerships to support our younger generations. We want to provide concrete tools to help our youth go from civic-conscious to civic-committed while managing the mental health toll of the geopolitical issues. Lastly, reaching younger generations through social media and YouTube would be great. I would love to collaborate with influencers who care deeply about mental health!

Speaking about her vision for Mind Brain Emotion, she expressed her desire to expand Mind Brain Emotion globally, especially in APAC:

I’d love to connect with publishers and distributors to bring evidence-based emotional intelligence resources into those countries. I believe these resources will benefit both the younger and older generations.

CONNECT WITH JENNY WOO / MIND BRAIN EMOTION

Website: http://mindbrainemotion.com

Socials: 

Neal Jean

Awaken* newsletter

Behind the Scenes: A Conversation With Neal Jean About the Birth of Beacons.ai

If you want to see what the next generation of Asian leaders looks like–look no further than Beacons.ai co-founder and CEO, Neal Jean. Backed by Y Combinator, a16z, and even our former guest Bryant Chou, Beacons is an up-and-coming Operating System for creators. A one-stop shop for creators to do email marketing, make their online store, their link in bio, etc. Despite still being early in his entrepreneurial journey, Neal has already accumulated an incredible amount of insights and experiences, and I hope you enjoy learning about them as much as I did. Without further ado:

BEFORE STARTUPS

Neal’s background before startups is quite unorthodox. A few years after graduating from Duke undergrad, he went back to college and got a second bachelor’s degree, then went on to get a PhD from Stanford. I asked Neal to connect the dots for me:

I grew up in Ohio and when I was 18, I didn’t really know what I wanted to do with my life. I wasn’t ready to make big decisions like that. I wasn’t aware of many different career paths. When I got to Duke, I didn’t really know what I wanted to do. I ended up studying economics and math there. I started my career as an options trader working in finance. I fell into that because I was studying economics and was somewhat good at math. It became clear to me very quickly that I didn’t want to do that my whole life. Around 2010 or 2011, I was living in Chicago working in trading and I’d be sitting at my trading desk reading essays by Paul Graham about startups. At the time, I thought it would be cool to build a company and make a difference, but I wasn’t confident that I could do it myself. I wasn’t technical and I wasn’t very familiar with it. Now I know that it doesn’t really matter if you’re technical, you learn everything by doing it anyway.

I mentioned that as a non-technical person, being unconfident in my ability to start a startup resonated with me.

Definitely. I majored in economics, so maybe you can relate to some of this [I also majored in economics]. One of the only things I remembered from my economics classes at Duke was this idea that advances in technology are the only thing that really moves the world forward over long periods of time. I think that idea really stuck with me. It was one thing that drew me to tech. I started my career in finance. I actually got fired from that first job. I made a bad trade, lost a decent amount of money, and got fired the next day. Looking back, I feel really lucky because it gave me a chance to reset and be more intentional about what I wanted to do with my life. 

So my younger brother, Joel, was Stanford class of 2011. He then went to MIT and did a PhD there, researching solar cells. It just felt like the stuff he was working on, he was trying to save the world since he was working on climate change you know. He was working on developing new types of solar materials. It just felt very meaningful compared to what I was doing. He actually now has a solar startup called Swift Solar. So I decided to go back to school, went to Georgia Tech for two years, did a second bachelor’s in EE, and I thought I also wanted to work in solar, but the summer before I went to Stanford, I took Andrew Ng’s machine learning class on Coursera and found it really interesting. I did a rotation in a machine learning group at Stanford and decided to switch to CS basically. My PhD was mostly on using computer vision and satellite imagery to map out poverty in Africa, which was the kind of meaningful project I wanted to work on coming out of finance. But even coming into Stanford, I had the idea that I wanted to build something eventually. Near the end of my PhD, I started working with a couple of friends on some projects. That led to applying to YC, pivoting a couple of times, and eventually getting to what we’re working on at Beacons today. 

PIVOTING IDEAS

Most startups have co-founders. I asked Neal how he met his and if he had any advice for other people looking for co-founders:

I have three co-founders. Two of them were in my PhD program. We met when we were visiting Stanford, deciding what grad school to go to. I met our fourth co-founder at Georgia Tech when I was doing my second undergrad there, so I’ve known him for over 10 years. I think I got lucky and ended up being able to work with my friends. If you get lucky and you have friends who have similar interests and you work well together, that can be a great path. One of the things that surprised me about startups is that it’s very random. Before you do a startup, you read about startups in TechCrunch and you think they all follow a standard path. It’s like you raise a pre-seed, you raise a seed round, you raise a series A and then whatever. But people do all kinds of crazy things, and the same goes for finding a co-founder. There are lots of ways to do it. If you don’t have friends to do it with, one thing I would suggest is to develop your own interests. Follow things that you’re interested in and try to go deep in those areas. You’ll naturally start doing more interesting things and meet more people. If you’re doing that intentionally, I think you’ll create a lot of luck surface area for yourself.

Earlier in the interview, Neal mentioned that his team pivoted a few times, so I asked him what the original idea for Beacons was:

I used to live in Rains [graduate apartments at Stanford], and the first project that we built was a face recognition smart lock for my apartment. We tried to get it to recognize all of our friends’ faces and unlock my apartment when they showed up. It worked sometimes. We made a portable version of it to bring to our YC interview. That’s what we got into YC with.

We quickly pivoted away from our original idea after our YC interview. We realized that all of our backgrounds were in software, and to build the kind of company we initially envisioned would require more of a consumer hardware focus. So, we started exploring new ideas and different things. We entered YC without a clear idea and spent the first month building productivity software, which I think is a common trap for founders who don’t have any better ideas.  

About a month into YC, I attended a friend’s wedding in Singapore and met a woman who was running an e-commerce company and doing all of her marketing through influencers on Instagram. She heard about my background in machine learning and asked if I could build a system to help her find influencers to work with. She showed me spreadsheets where she was tracking people’s follower counts and the number of likes and comments they were getting on their posts. She would then compute their engagement ratios and try to figure out how much she would be willing to pay them. It seemed like a good problem to automate and potentially improve with machine learning. I returned to SF, discussed it with my co-founders, and we invited her to come from Singapore to SF so we could start building this system for her. She actually came over the next Monday and moved into our apartment. I gave up my bed for her and moved into my co-founder’s bed. We spent the rest of YC building with her, and that was how we got into the creator space. Eventually, we realized that we were more excited to build products for the creator side of the market than the brand side.

We first started building something that’s similar to Cameo. We were trying to build a Cameo for creators. However, we soon realized that Cameo was already doing a good job at catering to creators. But that’s how we started talking to lots of creators. We saw Linktree taking off around that time. Their product looked pretty basic and we weren’t that good at building software at the time. So we thought we could probably compete with them. That’s how we started down the path we’ve been on for the last couple of years.

GETTING CUSTOMERS

I’m always curious how startups get their first customers, and I was especially curious about Beacons since they sell to influencers. Here’s what Neal had to say:

It is harder today because I think there are more people trying to reach out and get in touch with these creators. We just used cold email in the beginning, this was when we were still building the Cameo for creators. 

We put together a list of 50 creators who were based in the Bay Area and I emailed all of them. The email was basically like, “Hey, whatever your name is, your biggest fan, Jesse, who is my co-founder, wants to pay you $20 for this video. So you have $20 waiting for you. Just reply to my email and we’ll tell you how you can get this money.” We thought it could work. We got one reply out of the 50. Her name is Suki. Her Instagram is @sukiluser, if you want to look her up. She had just moved to the Bay Area from Toronto. She didn’t have many friends yet. She asked if Jesse was my co-founder. I confirmed, she was really nice about it. We met up the next day in Hayes Valley. She was our first user. She’s an advisor to the company today and still a friend. 

Although I thought this idea was genius, it sounded like it wasn’t too effective, so I asked Neal if he switched up his tactics to get customers 2-10:

No, we kept doing the cold email. After we pivoted to the link in bio, we started a new cold email strategy. We would find creators who are using Linktree. Then, we would rebuild their website in Beacons. We would send them a screenshot of the website we built for them that was nicer than their existing Linktree website and then ask them to sign up. That’s how we got our first couple hundred users. 

PHD FOUNDERS

Because I know some folks who have or are pursuing a PhD and are looking to get into startups afterwards, I figured I’d ask Neal to reflect on the advantages and disadvantages of being a founder with a PhD:

I think we have more challenges than strengths. One challenge was that we didn’t have any experience working. My other co-founders had never worked before. I had only worked in finance. So I had never worked in tech. I had no idea how tech companies actually operate. So we just had to learn a lot of things from scratch and probably made a lot of rookie mistakes along the way. We also weren’t native to our space. None of us were content creators. And I think early on, there were some challenges that came with that. One, we didn’t have the most empathy for our users. So we were trying to build for them, but we didn’t really know what it was like. We’ve worked on that and improved over time. However, we probably made some decisions and mistakes that others wouldn’t have. From investors, there was a perception that we were mercenaries. We were machine learning PhDs, but we were building things for TikTok creators. They wondered if we were just capitalizing on a hot space. In terms of advantages: now that AI is so popular, I think our backgrounds are going to be more helpful. That’s maybe a more obvious one. A less obvious one that I think has been important is that we’re not necessarily smarter than people who don’t have PhDs. But one thing you do learn during your PhD is not to be intimidated by problems that you don’t know the answer to initially. As a founder, you often don’t know how to do anything going into it. You’re constantly figuring out new things. When you do a PhD, one of the challenges is that you have to bring new knowledge into the world. You’re always trying to figure out things that haven’t been figured out before. You’re not sure if you can figure it out, or at least not sure if you can figure it out in this way. So there’s a certain amount of intellectual resilience or courage that you develop. I think that’s actually been pretty helpful for building a company. To clarify, resilience or intellectual courage isn’t exclusive to PhDs, but it was helpful that we had developed that over time.

Naturally, I had to ask Neal how they managed to convince investors to bet on them:

It depends on the investor. Different investors care about different things and respond to different things. We’ve always been honest about who we are and who we’re not. We didn’t misrepresent ourselves as creator experts. We’ve always been earnest and curious, and over time, dedicated to solving problems in this space. For investors who cared more about that than domain expertise, our approach resonated with them. It’s probably a good thing because if you get money from an investor that doesn’t really match with you, it’s likely to cause problems later on.

BEING NON-TECHNICAL

Backtracking, I asked Neal to expand on an earlier point he made about how non-technical people can dive into a startup and pick things up along the way:

It was definitely beneficial for our team to have experience in software. But none of us had built any consumer software before; we were all research people. We knew Python, but we didn’t know JavaScript. I had imagined that to work and contribute to an early-stage startup, you have to be able to code things up yourself and build products yourself. It depends on the type of company you’re building. If you’re building a dev tools startup, maybe that’s more accurate. But there are many companies where it’s very helpful to have a non-technical person who’s willing to do a lot of different things to make the company work. At Beacons, I’ve done very little coding in the five years that we’ve been working together. Even though I have a PhD in CS, most of the work I’ve done at Beacons to help the company is not writing code. 

We’re a product-led company. Our go-to-market motion is mostly people using the product, and then other people seeing them use the product and adopting it for themselves. We haven’t done a lot of sales or even a lot of marketing up to this point. My role was mostly leading product, especially early on. Now we have other people on the product team. But early on, I was the main product person. Doing product is really about understanding your users or customers and then understanding their problems and then trying to figure out how you can solve them. Because we’re building a software product, it was about understanding how to solve them with software for the most part. The hard part is really understanding the problem and being creative in thinking about how you can provide a solution. That cycle of understanding the problem and then figuring out how to solve it actually creates a lot of leverage within the company.

One thing I took away from previous interviews is that you can’t just go and add all the features that your users ask you to. Users will ask you for this and that, but maybe you’ll end up with a really hodgepodge product if you do that. I wanted to get Neal’s thoughts on how to cut through the noise and identify what it is users actually need:

You do your best. If you look at our product, we definitely added a bunch of features that people asked for that didn’t end up being very useful. I definitely can’t claim that we’ve always done a good job of this. Understanding the problem is not a simple thing, there are lots of different problems and ways to think about them. It’s about fitting them together into one cohesive model of who the customer is and which problems are important enough to solve. It’s also about understanding which problems your company is well-positioned to solve or where you have a right to win as a company. It’s a high dimensional thing that requires a complex model of how the world works, how your customer fits into that world, how you fit into that world, and where you think things are going in the future. Then, it’s about trying to align all those things and build for that future while being constrained on the money, time, and people that you have to deliver that stuff. 

I asked Neal if he wrote out his models explicitly:

Yes, I really like to whiteboard stuff out. We have whiteboards in our office. That was a skill I picked up during my PhD. I also do a lot of writing internally. I believe that writing is thinking. There’s this quote, “Writing is nature’s way of showing you how sloppy your thinking is.” I believe that. 

BEING AN ASIAN FOUNDER

As per newsletter tradition, I asked Neal how being Asian has qualified his experience as a founder:

It’s definitely something I’ve thought about, but I wouldn’t say I spend a ton of time thinking about it. I think I’m relatively lucky in a lot of ways. As a founder, I’m a man, and women often have it harder as founders. I’m Asian, but as far as being a minority goes, being an Asian man is not the worst thing as a founder. I think because of other characteristics that I have, like having a PhD in machine learning from Stanford, I don’t not fit the mold that people are expecting. I think Asians are still pretty underrepresented in leadership roles.

I mentioned that although there are some very successful Asian founders, it seemed that Asian founders were especially lacking in terms of CEO representation. 

I share your impression that there aren’t many visible Asian CEOs. Jensen Huang, for example, has recently been in the media a lot. We’re still an early company, so I hope to help change that someday. However, it’s not always top of mind. Most days, I’m focused on what needs to get done at work.  

A fair answer, given that Neal is really in the thick of things having just launched Beacons 2.0 (a big expansion of their product suite featuring AI-powered tools) several months ago. 

SHOUTOUTS

The only thing Neal wanted to shoutout was Beacon’s mission:

For us, we always saw these creators as a new class of online entrepreneurs. They didn’t have a lot of tooling or support for them yet. That’s always been a big part of our mission at Beacons. This is actually related to the research I did at Stanford, where I got really excited about using software to create better economic opportunities for people around the world. I was doing that research on poverty in Africa. That’s a part of our mission at Beacons that I’m still pretty excited about, even though I never would have guessed that I would be working with TikTokers. It’s a cool space to be in. We’re starting to build one of the better, more comprehensive platforms out there to support online entrepreneurs, at least ones where content is pretty important for their business. We’re starting to build in a lot more AI and machine learning stuff to help them run their business more easily and make better decisions across the business. 

Given the rapid and accelerating growth of the creator economy, I suspect that Neal and his team will be in for some very busy and fun years. I’m excited to see how Neal grows during his time leading Beacons, and I hope that he’ll come back and grant us another interview once he’s made it!

Thank you Neal for speaking with us!