Awaken* newsletter

April 11, 2024

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If you want to see what the next generation of Asian leaders looks like–look no further than Beacons.ai co-founder and CEO, Neal Jean. Backed by Y Combinator, a16z, and even our former guest Bryant Chou, Beacons is an up-and-coming Operating System for creators. A one-stop shop for creators to do email marketing, make their online store, their link in bio, etc. Despite still being early in his entrepreneurial journey, Neal has already accumulated an incredible amount of insights and experiences, and I hope you enjoy learning about them as much as I did. Without further ado:

BEFORE STARTUPS

Neal’s background before startups is quite unorthodox. A few years after graduating from Duke undergrad, he went back to college and got a second bachelor’s degree, then went on to get a PhD from Stanford. I asked Neal to connect the dots for me:

I grew up in Ohio and when I was 18, I didn’t really know what I wanted to do with my life. I wasn’t ready to make big decisions like that. I wasn’t aware of many different career paths. When I got to Duke, I didn’t really know what I wanted to do. I ended up studying economics and math there. I started my career as an options trader working in finance. I fell into that because I was studying economics and was somewhat good at math. It became clear to me very quickly that I didn’t want to do that my whole life. Around 2010 or 2011, I was living in Chicago working in trading and I’d be sitting at my trading desk reading essays by Paul Graham about startups. At the time, I thought it would be cool to build a company and make a difference, but I wasn’t confident that I could do it myself. I wasn’t technical and I wasn’t very familiar with it. Now I know that it doesn’t really matter if you’re technical, you learn everything by doing it anyway.

I mentioned that as a non-technical person, being unconfident in my ability to start a startup resonated with me.

Definitely. I majored in economics, so maybe you can relate to some of this [I also majored in economics]. One of the only things I remembered from my economics classes at Duke was this idea that advances in technology are the only thing that really moves the world forward over long periods of time. I think that idea really stuck with me. It was one thing that drew me to tech. I started my career in finance. I actually got fired from that first job. I made a bad trade, lost a decent amount of money, and got fired the next day. Looking back, I feel really lucky because it gave me a chance to reset and be more intentional about what I wanted to do with my life. 

So my younger brother, Joel, was Stanford class of 2011. He then went to MIT and did a PhD there, researching solar cells. It just felt like the stuff he was working on, he was trying to save the world since he was working on climate change you know. He was working on developing new types of solar materials. It just felt very meaningful compared to what I was doing. He actually now has a solar startup called Swift Solar. So I decided to go back to school, went to Georgia Tech for two years, did a second bachelor’s in EE, and I thought I also wanted to work in solar, but the summer before I went to Stanford, I took Andrew Ng’s machine learning class on Coursera and found it really interesting. I did a rotation in a machine learning group at Stanford and decided to switch to CS basically. My PhD was mostly on using computer vision and satellite imagery to map out poverty in Africa, which was the kind of meaningful project I wanted to work on coming out of finance. But even coming into Stanford, I had the idea that I wanted to build something eventually. Near the end of my PhD, I started working with a couple of friends on some projects. That led to applying to YC, pivoting a couple of times, and eventually getting to what we’re working on at Beacons today. 

PIVOTING IDEAS

Most startups have co-founders. I asked Neal how he met his and if he had any advice for other people looking for co-founders:

I have three co-founders. Two of them were in my PhD program. We met when we were visiting Stanford, deciding what grad school to go to. I met our fourth co-founder at Georgia Tech when I was doing my second undergrad there, so I’ve known him for over 10 years. I think I got lucky and ended up being able to work with my friends. If you get lucky and you have friends who have similar interests and you work well together, that can be a great path. One of the things that surprised me about startups is that it’s very random. Before you do a startup, you read about startups in TechCrunch and you think they all follow a standard path. It’s like you raise a pre-seed, you raise a seed round, you raise a series A and then whatever. But people do all kinds of crazy things, and the same goes for finding a co-founder. There are lots of ways to do it. If you don’t have friends to do it with, one thing I would suggest is to develop your own interests. Follow things that you’re interested in and try to go deep in those areas. You’ll naturally start doing more interesting things and meet more people. If you’re doing that intentionally, I think you’ll create a lot of luck surface area for yourself.

Earlier in the interview, Neal mentioned that his team pivoted a few times, so I asked him what the original idea for Beacons was:

I used to live in Rains [graduate apartments at Stanford], and the first project that we built was a face recognition smart lock for my apartment. We tried to get it to recognize all of our friends’ faces and unlock my apartment when they showed up. It worked sometimes. We made a portable version of it to bring to our YC interview. That’s what we got into YC with.

We quickly pivoted away from our original idea after our YC interview. We realized that all of our backgrounds were in software, and to build the kind of company we initially envisioned would require more of a consumer hardware focus. So, we started exploring new ideas and different things. We entered YC without a clear idea and spent the first month building productivity software, which I think is a common trap for founders who don’t have any better ideas.  

About a month into YC, I attended a friend’s wedding in Singapore and met a woman who was running an e-commerce company and doing all of her marketing through influencers on Instagram. She heard about my background in machine learning and asked if I could build a system to help her find influencers to work with. She showed me spreadsheets where she was tracking people’s follower counts and the number of likes and comments they were getting on their posts. She would then compute their engagement ratios and try to figure out how much she would be willing to pay them. It seemed like a good problem to automate and potentially improve with machine learning. I returned to SF, discussed it with my co-founders, and we invited her to come from Singapore to SF so we could start building this system for her. She actually came over the next Monday and moved into our apartment. I gave up my bed for her and moved into my co-founder’s bed. We spent the rest of YC building with her, and that was how we got into the creator space. Eventually, we realized that we were more excited to build products for the creator side of the market than the brand side.

We first started building something that’s similar to Cameo. We were trying to build a Cameo for creators. However, we soon realized that Cameo was already doing a good job at catering to creators. But that’s how we started talking to lots of creators. We saw Linktree taking off around that time. Their product looked pretty basic and we weren’t that good at building software at the time. So we thought we could probably compete with them. That’s how we started down the path we’ve been on for the last couple of years.

GETTING CUSTOMERS

I’m always curious how startups get their first customers, and I was especially curious about Beacons since they sell to influencers. Here’s what Neal had to say:

It is harder today because I think there are more people trying to reach out and get in touch with these creators. We just used cold email in the beginning, this was when we were still building the Cameo for creators. 

We put together a list of 50 creators who were based in the Bay Area and I emailed all of them. The email was basically like, “Hey, whatever your name is, your biggest fan, Jesse, who is my co-founder, wants to pay you $20 for this video. So you have $20 waiting for you. Just reply to my email and we’ll tell you how you can get this money.” We thought it could work. We got one reply out of the 50. Her name is Suki. Her Instagram is @sukiluser, if you want to look her up. She had just moved to the Bay Area from Toronto. She didn’t have many friends yet. She asked if Jesse was my co-founder. I confirmed, she was really nice about it. We met up the next day in Hayes Valley. She was our first user. She’s an advisor to the company today and still a friend. 

Although I thought this idea was genius, it sounded like it wasn’t too effective, so I asked Neal if he switched up his tactics to get customers 2-10:

No, we kept doing the cold email. After we pivoted to the link in bio, we started a new cold email strategy. We would find creators who are using Linktree. Then, we would rebuild their website in Beacons. We would send them a screenshot of the website we built for them that was nicer than their existing Linktree website and then ask them to sign up. That’s how we got our first couple hundred users. 

PHD FOUNDERS

Because I know some folks who have or are pursuing a PhD and are looking to get into startups afterwards, I figured I’d ask Neal to reflect on the advantages and disadvantages of being a founder with a PhD:

I think we have more challenges than strengths. One challenge was that we didn’t have any experience working. My other co-founders had never worked before. I had only worked in finance. So I had never worked in tech. I had no idea how tech companies actually operate. So we just had to learn a lot of things from scratch and probably made a lot of rookie mistakes along the way. We also weren’t native to our space. None of us were content creators. And I think early on, there were some challenges that came with that. One, we didn’t have the most empathy for our users. So we were trying to build for them, but we didn’t really know what it was like. We’ve worked on that and improved over time. However, we probably made some decisions and mistakes that others wouldn’t have. From investors, there was a perception that we were mercenaries. We were machine learning PhDs, but we were building things for TikTok creators. They wondered if we were just capitalizing on a hot space. In terms of advantages: now that AI is so popular, I think our backgrounds are going to be more helpful. That’s maybe a more obvious one. A less obvious one that I think has been important is that we’re not necessarily smarter than people who don’t have PhDs. But one thing you do learn during your PhD is not to be intimidated by problems that you don’t know the answer to initially. As a founder, you often don’t know how to do anything going into it. You’re constantly figuring out new things. When you do a PhD, one of the challenges is that you have to bring new knowledge into the world. You’re always trying to figure out things that haven’t been figured out before. You’re not sure if you can figure it out, or at least not sure if you can figure it out in this way. So there’s a certain amount of intellectual resilience or courage that you develop. I think that’s actually been pretty helpful for building a company. To clarify, resilience or intellectual courage isn’t exclusive to PhDs, but it was helpful that we had developed that over time.

Naturally, I had to ask Neal how they managed to convince investors to bet on them:

It depends on the investor. Different investors care about different things and respond to different things. We’ve always been honest about who we are and who we’re not. We didn’t misrepresent ourselves as creator experts. We’ve always been earnest and curious, and over time, dedicated to solving problems in this space. For investors who cared more about that than domain expertise, our approach resonated with them. It’s probably a good thing because if you get money from an investor that doesn’t really match with you, it’s likely to cause problems later on.

BEING NON-TECHNICAL

Backtracking, I asked Neal to expand on an earlier point he made about how non-technical people can dive into a startup and pick things up along the way:

It was definitely beneficial for our team to have experience in software. But none of us had built any consumer software before; we were all research people. We knew Python, but we didn’t know JavaScript. I had imagined that to work and contribute to an early-stage startup, you have to be able to code things up yourself and build products yourself. It depends on the type of company you’re building. If you’re building a dev tools startup, maybe that’s more accurate. But there are many companies where it’s very helpful to have a non-technical person who’s willing to do a lot of different things to make the company work. At Beacons, I’ve done very little coding in the five years that we’ve been working together. Even though I have a PhD in CS, most of the work I’ve done at Beacons to help the company is not writing code. 

We’re a product-led company. Our go-to-market motion is mostly people using the product, and then other people seeing them use the product and adopting it for themselves. We haven’t done a lot of sales or even a lot of marketing up to this point. My role was mostly leading product, especially early on. Now we have other people on the product team. But early on, I was the main product person. Doing product is really about understanding your users or customers and then understanding their problems and then trying to figure out how you can solve them. Because we’re building a software product, it was about understanding how to solve them with software for the most part. The hard part is really understanding the problem and being creative in thinking about how you can provide a solution. That cycle of understanding the problem and then figuring out how to solve it actually creates a lot of leverage within the company.

One thing I took away from previous interviews is that you can’t just go and add all the features that your users ask you to. Users will ask you for this and that, but maybe you’ll end up with a really hodgepodge product if you do that. I wanted to get Neal’s thoughts on how to cut through the noise and identify what it is users actually need:

You do your best. If you look at our product, we definitely added a bunch of features that people asked for that didn’t end up being very useful. I definitely can’t claim that we’ve always done a good job of this. Understanding the problem is not a simple thing, there are lots of different problems and ways to think about them. It’s about fitting them together into one cohesive model of who the customer is and which problems are important enough to solve. It’s also about understanding which problems your company is well-positioned to solve or where you have a right to win as a company. It’s a high dimensional thing that requires a complex model of how the world works, how your customer fits into that world, how you fit into that world, and where you think things are going in the future. Then, it’s about trying to align all those things and build for that future while being constrained on the money, time, and people that you have to deliver that stuff. 

I asked Neal if he wrote out his models explicitly:

Yes, I really like to whiteboard stuff out. We have whiteboards in our office. That was a skill I picked up during my PhD. I also do a lot of writing internally. I believe that writing is thinking. There’s this quote, “Writing is nature’s way of showing you how sloppy your thinking is.” I believe that. 

BEING AN ASIAN FOUNDER

As per newsletter tradition, I asked Neal how being Asian has qualified his experience as a founder:

It’s definitely something I’ve thought about, but I wouldn’t say I spend a ton of time thinking about it. I think I’m relatively lucky in a lot of ways. As a founder, I’m a man, and women often have it harder as founders. I’m Asian, but as far as being a minority goes, being an Asian man is not the worst thing as a founder. I think because of other characteristics that I have, like having a PhD in machine learning from Stanford, I don’t not fit the mold that people are expecting. I think Asians are still pretty underrepresented in leadership roles.

I mentioned that although there are some very successful Asian founders, it seemed that Asian founders were especially lacking in terms of CEO representation. 

I share your impression that there aren’t many visible Asian CEOs. Jensen Huang, for example, has recently been in the media a lot. We’re still an early company, so I hope to help change that someday. However, it’s not always top of mind. Most days, I’m focused on what needs to get done at work.  

A fair answer, given that Neal is really in the thick of things having just launched Beacons 2.0 (a big expansion of their product suite featuring AI-powered tools) several months ago. 

SHOUTOUTS

The only thing Neal wanted to shoutout was Beacon’s mission:

For us, we always saw these creators as a new class of online entrepreneurs. They didn’t have a lot of tooling or support for them yet. That’s always been a big part of our mission at Beacons. This is actually related to the research I did at Stanford, where I got really excited about using software to create better economic opportunities for people around the world. I was doing that research on poverty in Africa. That’s a part of our mission at Beacons that I’m still pretty excited about, even though I never would have guessed that I would be working with TikTokers. It’s a cool space to be in. We’re starting to build one of the better, more comprehensive platforms out there to support online entrepreneurs, at least ones where content is pretty important for their business. We’re starting to build in a lot more AI and machine learning stuff to help them run their business more easily and make better decisions across the business. 

Given the rapid and accelerating growth of the creator economy, I suspect that Neal and his team will be in for some very busy and fun years. I’m excited to see how Neal grows during his time leading Beacons, and I hope that he’ll come back and grant us another interview once he’s made it!

Thank you Neal for speaking with us!

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Lucy Liu Stars in “Rosemead,” a True Story of Immigrant Mothers Facing Fear and Mental Health Challenges

Lucy Liu is once again bringing us a powerful performance with Rosemead, a film that has been picked up by Vertical for a December theatrical release. The story follows a mother who begins to see troubling changes in her teenage son, opening the door to a deeper look at fear, love, and mental health.

Recently, the film gathered strong early interest after drawing a full audience at a special screening held at the Metreon in San Francisco. Hosted by Dave Lu, the event sparked conversations about topics often avoided in public spaces, especially within immigrant communities. 

With its growing list of festival honors, positive reviews, and a narrative inspired by real events, Rosemead is already being recognized as one of Liu’s most powerful and personal performances to date.

                                                                          Image Source: BBC

A Story Built on Fear and Family Pressure

At the heart of Rosemead is a mother who becomes concerned as her son’s behavior shifts in unsettling ways. What begins as quiet anxiety slowly grows into a frightening urgency as she realizes the situation may be more dangerous than she imagined.

As her fear rises, she faces the painful question of how far a parent can go to protect the child they love. The tension builds with each scene, making her inner struggle feel both real and universal.

The story takes place within a Chinese American household where cultural expectations and unspoken worries create additional layers of pressure. Lucy Liu captures these emotions with precision, while newcomer Lawrence Shou brings a raw, unpredictable intensity that deepens the film’s emotional impact.

                                                        Image Source: The Traveler’s Take

Building Momentum Through Festival Wins

Before reaching theaters, Rosemead had already made a strong impression on the festival circuit. Its premiere at Tribeca drew praise for its gripping approach to storytelling and its standout performances.

The film’s momentum continued as it won Best Narrative Feature at the Bentonville Film Festival, adding to its early recognition. It gained even more attention after earning the Prix du Public UBS audience award at the Locarno Film Festival.

During its time at Locarno, Lucy Liu also received a Career Achievement Award that highlighted her long-standing influence in the industry. Vertical’s Peter Jarowey praised her work for its emotional depth, while also recognizing director Eric Lin’s bold and confident vision in his feature debut.

                                                                     Image Source: Yahoo

A Strong Screening at the San Francisco Metreon

The event at the Metreon brought together creators, film lovers, and local community members for an open discussion about the upcoming release. The gathering served as a space for people to share expectations, explore the film’s themes, and talk about the real-life issues it aims to portray.

The audience noted how the film reflects real family struggles, especially those found in immigrant households. Its grounded approach to fear and uncertainty sparked discussions about mental health and cultural expectations.

After the screening, conversations centered on Liu’s controlled yet deeply affecting performance. Lawrence Shou also drew attention for his breakout role, adding to the anticipation for the film’s one-week run in selected theaters this December.

Experience the film in theaters and see why it’s already drawing strong early interest. Rosemead is set to premiere in select theaters on December 5, 2025 in New York City; December 12, 2025 in Los Angeles, and more cities to follow on January 9, 2026.

                                                               Image Source: Nikolas Liepens

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Stories

The Story Behind Inspire To Create Media: How Trysen Kaneshige Uses Art to Heal and Connect Community

Born and raised in Kauaʻi, Hawaii, Trysen Kaneshige never imagined that a series of brain injuries would redirect the course of his life. Art, which had once been a hobby, became his lifeline—a way to heal, process, and reconnect with the world around him.

What began as a personal form of therapy soon turned into a mission: to use creativity not only for his own recovery but to uplift his community and share stories that mattered.

As he experimented with murals, branding, and design, Trysen discovered that each project could bridge culture, healing, and connection in ways he had never anticipated. Through perseverance and collaboration, he began working with brands like Volcom, Olukai, and Soulection Radio, while also leading projects for schools, nonprofits, and community organizations across Hawaii.

From these experiences, Trysen founded Inspire To Create Media, a healing-centered creative agency that blends streetwear aesthetics, cultural storytelling, and design to create work that resonates far beyond the islands.

Finding Inspiration in Adversity

Trysen’s path to entrepreneurship was shaped by necessity and resilience. “I wasn’t able to work a regular job since I would have a lot of migraines or dealt with depression etc. It’s been challenging but I’ve learned to be resilient and not give up. What also inspired me was to create something for my community and for the next generation that is after me,” he recalls. The setbacks could have ended his creative ambitions, but Trysen chose to focus on what he could control: his art and his recovery.

Instead of succumbing to frustration, he saw opportunity in every challenge. He began creating small pieces, testing ideas, and using art as a method to regain focus, confidence, and purpose. These early efforts helped him realize that healing and creativity could coexist and even amplify one another.

What started as a personal journey of recovery soon became a mission to uplift others. Trysen wanted to leave something meaningful for his community and for the next generation, showing that creativity could transform not only individual lives but also the cultural landscape of Kauaʻi.

Overcoming Challenges Without a Safety Net

The road to building a creative business was far from smooth. Trysen faced difficult challenges that he considered walking away from everything, grappling with both the physical and emotional toll of head injuries. Each day was a battle between self-doubt, pain, and the desire to keep moving forward.

Beyond personal health struggles, he had no investors, no team, and no corporate backing. Every decision, every financial risk, and every project came solely from his determination and willingness to learn through trial and error. “If I had someone that saw what I was creating in the beginning, it would’ve been easier,” he admits.

Gratitude and persistence became his anchors. By embracing the lessons from failures and small victories alike, Trysen built a foundation that was resilient, flexible, and authentic. This mindset allowed him to continue pursuing his vision even when support was scarce and the path ahead was uncertain.

Turning Achievements Into Community Impact

Despite obstacles, Trysen’s journey is marked by achievements that combine personal growth with community recognition. He takes pride in consistently showing up, even on days when recovery felt impossible, and in taking creative risks that shaped the identity of his agency.

Inspire To Create Media has earned acknowledgment on multiple levels—from Proclamations by Mayor Derek Kawakami highlighting community murals and workshops to features in local newspapers chronicling his evolving projects. These recognitions validate his belief that creativity paired with purpose resonates far beyond personal satisfaction.

For Trysen, the real measure of success is impact. Each mural, logo, or art initiative tells a story and strengthens the connection between people and place, leaving a lasting mark on Kauaʻi’s cultural and creative landscape.

Building a Healing-Centered Creative Vision

At the heart of Inspire To Create Media is a philosophy that creativity can heal, connect, and inspire simultaneously. From large-scale murals to branding and apparel, every project is designed with intention, reflecting local culture while appealing to a global audience.

Trysen explains, “Art became my way to rebuild, reconnect, and serve. What began as personal recovery grew into a mission: to use art as a tool for transformation for myself, for my community, and for the next generation of island creatives.”

Today, Inspire To Create Media continues to expand its reach, bridging art, healing, and business. Trysen’s story proves that even the toughest setbacks can spark the most powerful creativity—turning personal recovery into a force that inspires communities, cultivates connection, and demonstrates that a small island studio can have a big global impact.

Follow Trysen’s journey:

📍 @trys.creates | @inspiretocreate.media

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Stories

Building Meraki: How Vivian Kwan Turned Passion into Purpose

The first time Vivian Kwan realized she could build something on her own terms was during her college years in the U.S. — a time that completely shifted her perspective on what a career could be.

She found herself surrounded by students who were running side hustles, freelancing, and starting companies before graduation. It was a stark contrast to her upbringing in Hong Kong.

“Back home in Hong Kong, the path was pretty clear: study hard, land a stable job, and climb the corporate ladder,” she recalls. “But in the U.S., I met people who were building something entirely their own. That inspired me to think differently.”

Curious and driven, Vivian began experimenting — running a small photography business and creating content for fun. That experiment grew into Meraki Group, a boutique talent management agency representing a diverse roster of lifestyle creators — and now a 7-figure business built entirely from the ground up.

Redefining Success as a First-Generation Founder

When Vivian launched Meraki Group in 2021, she had no network, no outside funding, and no PR machine behind her, just the belief that creators deserved better representation.

As a first-generation Asian immigrant, Vivian was raised to stay quiet and keep her head down. “But entrepreneurship requires something different,” she says. “I had to learn to advocate for myself and my talents loudly and unapologetically.”

Without big teams or resources, she leaned into what she could control: being hands-on, transparent, and relationship-driven. That boutique approach became Meraki’s unique selling point: brands and creators know they can reach Vivian directly, and that trust has allowed Meraki to thrive against the odds. Today, Meraki has closed 300+ brand campaigns with brand partners like HOKA, REI, Shark, Columbia Sportswear, Libman, Google, and UGG.

The Challenge of Balance

Motherhood has always run parallel to Vivian’s entrepreneurial journey — two worlds that demand her heart in equal measure. In the early years of Meraki, she often found herself caught between deadlines and bedtime stories, client calls and school drop-offs. The guilt was relentless: every hour spent growing the business felt like time borrowed from her children.

But over time, her perspective shifted. She began to see that showing her kids what fulfillment looked like was one of the greatest gifts she could give them. Building Meraki wasn’t just about proving something to the industry — it was about showing her children what resilience, purpose, and self-belief looked like in real life.

“My kids deserve a mother who’s confident and happy,” she says simply. “That thought keeps me grounded when things get hard.”

A Year of Growth and Gratitude

In October, the Meraki community came to life in a way that no Zoom call ever could. Vivian and her team hosted their annual NYC dinner — an intimate gathering of creators, brand partners, and friends who had helped shape the agency’s journey. The room buzzed with laughter, warm reunions, and stories that stretched back to Meraki’s earliest days.

For Vivian, it was a full-circle moment. Many of the guests were creators she had signed during the uncertainty of the pandemic — people she had championed from afar before ever shaking their hands in person. Watching them share a table, swapping stories and ideas, felt like witnessing the agency’s spirit materialise in real life.

It wasn’t a night of flashy sponsors or curated photo ops, but of genuine connection — the kind that has quietly fueled Meraki’s success from day one. “What I’m most proud of isn’t the growth,” Vivian reflects. “It’s loyalty. Many of my creators have been with me for three or four years. In an industry where talent often comes and goes, that kind of long-term commitment means everything.”

What Comes Next

As Meraki continues to grow, Vivian is laying the groundwork for a new chapter — one that strengthens the agency’s foundation while amplifying its impact. She’s focused on expanding her team and refining systems to preserve Meraki’s signature boutique quality, even as it scales.

“I’m being intentional with this next chapter,” she says. “Before stepping deeper into consulting and mentorship, I want to make sure the agency continues to run with the same care and creative integrity it was built on.”

With that foundation in place, Vivian plans to open limited consulting slots and launch educational programs for creators and emerging talent managers. Her goal is to nurture the next generation of creative leaders — empowering them to build with heart, purpose, and the courage to redefine what success can look like.

Follow Vivian’s journey:
📍 LinkedIn | Instagram

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Stories

The Founders Behind Anise Health: How Two Women Are Reimagining Mental Health for the Asian Community

When Nisha Desai and Alice Zhang met at Harvard Business School, neither of them expected that a casual conversation about their frustrations with therapy would spark the idea for something much bigger.

As they juggled graduate school and their own mental health, they often felt therapy wasn’t built for people like them – they spent more time explaining their background to their therapists than actually healing. 

They realized it wasn’t just them – there’s a gap in mental healthcare that left many in the Asian and multicultural community feeling unseen and misunderstood.

That shared realization became the seed for Anise Health: a platform built to make therapy culturally attuned, accessible, and truly effective for the AAPI community.

A Problem They Both Knew Too Well

Before their paths crossed, both founders had already seen the same issue from different directions.

Nisha, who grew up in Florida in a family of healthcare entrepreneurs, had always been drawn to questions of access and equity in care. After studying finance and marketing at the University of Pennsylvania’s Wharton School and earning her MBA from Harvard, she worked in healthcare investing and later in digital product management at Humana. It was there, while helping build a mental health app, that she started hearing a troubling pattern from thousands of users – the same barriers she had personally faced.

Nisha recalls that people weren’t saying therapy didn’t work. They were saying it didn’t fit, that they didn’t feel understood.

Alice, meanwhile, came to the same conclusion through her own deeply personal experiences. Born in China, raised across Japan and Canada, and now based in New York, she calls herself a “third culture kid.” Her multicultural background gave her adaptability, but also a sense of never fully belonging anywhere.

That feeling resurfaced when she sought therapy during business school. Despite being fluent in English, she found herself translating her own emotions for her therapist – explaining why criticism from parents felt like love, or why pursuing excellence felt non-negotiable.

Alice remembers feeling exhausted after each session, explaining her background again and again, and leaving each time feeling unseen.

Alice Zhang (left) and Nisha Desai (right)

Building a Culturally Grounded Model of Care

After that pivotal conversation at Harvard, the two women began mapping out what culturally attuned mental health care could look like. They spoke to clinicians, patients, payors and community leaders, testing how cultural nuance could be integrated into evidence-based therapy and coaching.

They envisioned a new kind of care model: one that didn’t require clients to educate their therapists or set aside their cultural identity at the door. Instead, therapy would start from a place of understanding.

“Alice and I really built Anise to be what we believe our community has needed during our upbringing. What we kind of wished for ourselves through our own personal journeys with therapy.”

But building what didn’t yet exist came with challenges. They had to prove — to investors, clinicians, and even the broader healthcare system — that cultural context wasn’t just a “nice to have,” but essential to effective care. Many mental health professionals hadn’t been trained to deliver culturally adaptive therapy, so Anise Health had to design that framework from the ground up: provider training programs, accurate diagnostic tools, tailored care plans, curated resources and a scalable model for personalized, culturally attuned care.

Their persistence paid off. What started as late-night brainstorming sessions between classes evolved into a fully fledged mental health platform that blends clinical rigor with cultural empathy.

Growing the Movement

Since its founding, Anise Health has facilitated over 10,000 paid appointments and built a network of 60+ licensed providers across multiple states. The company is now expanding through insurance partnerships that make culturally attuned care more affordable and accessible.

Behind the scenes, Nisha leads operations and product design, while Alice drives partnerships and provider training.

Their complementary strengths, coupled with a shared sense of purpose, have helped Anise Health raise $6.4 million in funding and gain recognition as one of the top 10 most innovative Asian Pacific-led companies to watch by NYSE, Y Combinator, and Gold House.

Redefining the Future of Mental Health for Asian Communities

For both founders, Anise Health’s success goes beyond numbers. It’s about shifting how mental health is understood and delivered, starting with a community that has long been underserved and stigmatized.

“Our goal isn’t just to make care available,” Nisha says. “It’s to make it effective, culturally relevant, and sustainable within the healthcare system.”

By creating a new gold standard of culturally attuned care, Nisha and Alice aren’t just helping Asian Americans access therapy that finally feels like it speaks their language – they’re reimagining what inclusive mental health care can look like for everyone.

Learn more about Anise Health at anisehealth.co